Vinyl vs. CD

jeez, i have a decent vinyl rig, but by no means anywhere near the top of the food-chain, at least as far as price goes! ;~) while i *do* get some unwanted noise on some of my discs in less-than-pristine condition, for the most part, it isn't a problem. and, while i *can* set-up a turntable, i don't have all kindsa fancy test equipment to aid me. while i have grown-up w/vinyl, i've listened to enuff cd's, and had enuff folks hear my set-up that are mainly familiar w/only cd's, to know that noise ain't an issue w/properly set-up vinyl. i gotta weigh in w/albert p on this one. my vinyl-cleaning regimen consists mostly of a dish-soapy sponge w/warm water, & a keith monks record-sweeper, which keeps the grooves clean & static-free, by tracking along w/the record - from the other side of the table, of course! ;~) doug

Yes, Albert's points are right on, again. I was one of the participants in that other thread. I was first getting to know Albert then, and many here thought I was "just being emotional", and had no real point to make. I will say this, here:.....................I love vinyl, and feel that the noise issue isn't an issue, unless the majority of LP's in your collection have seen thousands of plays on awful equipment (not by a 'phile), for 40+ years. If that's the case, then I don't blame you for being discouraged...............The reason vinyl has the potential to be better than any CD based system can be described in this way IN MY OPINION: If you have a halfway decent vinyl rig like mine (VPI 19jr, AQ PT-8, Benz Lo4, and Phonomena phono stage, and my linestage will remain a mystery), and you compare as similar to "the same" recording as you can find, on a CD in my CD player (you all know what it is)...what you hear is...more "continuousness" to all aspects of the soundstage, more contrast between the quietest and loudest sounds, more "reality" to the way instruments sound, and much more natural and "juicy" tonality thru the ENTIRE frequency range. You DO hear bass (and ambient bass noises in the recording) which can go all the way down to just above the arm's resonance (if you listen in good headphones, or have a decent subwoofer and good room/system setup). Pitches are much more defined and less artificial than with CD, thru the whole range. AND THE BIGGEST DIFFERENCE of all, is that for the very quietest sounds on the recording (hall ambience, etc.), vinyl is detailed, real, rich, effortless....and I DO MEAN EFFORTLESS. Whereas the whole issue with this extreme low level detail, with the 16 bit format, is the reason audiophiles have always craved another "better" digital format, since the very introduction of CD. MY VINYL RIG IS NOT A STATE OF THE ART ONE, but my CD player is much closer to the CD SOTA than the vinyl rig. And yet, the vinyl is better (with LP's that are NOT very worn). Playing the ones that have more wear is still fun, still musical and satisfying, but will not be preferable to the corresponding CD on my player (assuming it exists, often there is no CD that has been issued). BUT THAT'S NOT EXACTLY A RINGING ENDORSEMENT OF CD'S..........All of that said: If I just listen to CD's for a while in MY player, then I can begin to forget about what I am missing with vinyl, and can enjoy them more...and can also listen to more music in the time I have alotted for that evening, since there is almost no "playing ritual" involved (and I DO get into the ritual with vinyl). HOWEVER.....Happiness on this level cannot really be accomplished if you just use a mass market CD or DVD player for CD's, and then turn around a spend $30k on a vinyl rig........IMO. There is just an imbalance there (unless of course you don't own many CD's, then it is the logical choice). AND THAT IS WHY I FEEL THAT TOTAL MUSICAL SATISFACTION, CAN ONLY BE ACHIEVED BY HAVING THE BEST OF BOTH FORMATS, that YOU CAN AFFORD. I also think that most audiophiles are with me on that. Someone should do a scientific poll on it...Stereophile has a vote on this on their website on occasion, and I do believe this group of mine was in the majority, last I checked. I realize that's not a very scientific poll, but it's enough for me.

Unfortunately, both formats are necessary. I already stated that the majority of new music is not released as LP. It would indeed be a shame to miss out on all of the new music, some of which is excellent. Anyway, Carl's description is accurate as to some of the advantages of LP, and it really frustrates me to hear what my analog system is capable of, and not have access to many of the new artists. I can only hope that some new digital format will eventually come along and equal the best (analog) LP system. Truly, I would LOVE that to happen, I am ready for something SIMPLE that would make me happy. So far though, simple and excellence has been about as accessible as finding a new Porsche 9 series at econo box car prices. I originally hoped too, that the SACD format would be the salvation in this matter. Sony has (almost) the resources of Bill Gates, and is positioned with software to back up the venture. It is regrettable that Sony's desire for even greater profit margins are so important, that it smothers the possibility to provide excellence in a new format. Don't get me wrong, I have Sony products all over my home, even a Sony DVD transport in my own high end system, but it is disappointing to hear what LP can do, a format that is over half a century old, then, one has to wonder why some of today's massive and radical technology does not trickle down, at least a little bit, to us audiophiles that would really appreciate it. By the way, NOISE is NOT a problem with a great LP rig. Those who state that it is have had the unfortunate experience of hearing either bad software, bad hardware, a poorly set up turntable, or all three. If you don't want to get sucked into analog, be glad you have never heard it right. It is truly amazing what the extra quality can do when it is placed at the very beginning of the hi fi chain.

Forget Vinyl. Why would you want to hear cracks and pops, wow and flutter, groove sounds and a myriad of other distortions. Only masochists would ! Granted, original CDs sounded strident but that has changed with improvements in recordings and production. Redbook CD is the medium that should satisfy 99.99% of audiophiles almost regardless of the equipment they use.

No more digital/analog nightmare?Sony have THE answer? Look at analog and digital recording,resonably good whatever,but then you have too reproduce the studio work in your home,its here it ALL begins. Gramofhone,making mekano movement to elect.impuls, dont work.Nobody who have been in a studio and listened to reel_music would say that a grammo can sound like that. At least 20% are missing.But we recon what we hear as our Analog alternative. Digital Are better!Not much are missing,and we learn! BUT you have to use digital filter on a digital recording, and analog on a analog recording and shape it likewise. Thats why SONY has placed 9 koefc.filters on there better CD.s since -96 so you can listen to take thr right one, at a spec.recording.But with all the standards in use while recording it is hard to make it funktion,Thats one of the reson to SuperAudio CD,to take controll over All What is happening in the studio,so that we only have to think about "Getting the right fase,The current in the diff countries in the world Even SONY can get controll over". So grammos are a relic fromlast centure.But analog recordings vill survive. Excuse my spelling, Greetings from Sweden