Hi Gladstone,
As to the sound of the HR-X, that's a more complicated question than it appears on the surface. It was dynamic and extended, and the midrange character appeared to be correct (neutral). The soundstage was expansive, especially with the Manley Steelhead. One record we played had a great drum solo and the HR-X delivered the goods with great impact, weight, and articulation.
Since the system (as a whole) was unfamiliar to me, I really can't get into the fine nuances of performance. But my off-the-cuff impression is that it's a reference quality TT that should be compared with the other top-quality designs in and around it's price range.
I would've liked to have compared it to my Michell Orbe SE with Wilson Benesch arm in my own system. I didn't hear anything from the HR-X that would indicate it was doing anything better than my rig. But with so many different variables in equipment and room acoustics it was not really possible to make that determination. Cheers!
As to the sound of the HR-X, that's a more complicated question than it appears on the surface. It was dynamic and extended, and the midrange character appeared to be correct (neutral). The soundstage was expansive, especially with the Manley Steelhead. One record we played had a great drum solo and the HR-X delivered the goods with great impact, weight, and articulation.
Since the system (as a whole) was unfamiliar to me, I really can't get into the fine nuances of performance. But my off-the-cuff impression is that it's a reference quality TT that should be compared with the other top-quality designs in and around it's price range.
I would've liked to have compared it to my Michell Orbe SE with Wilson Benesch arm in my own system. I didn't hear anything from the HR-X that would indicate it was doing anything better than my rig. But with so many different variables in equipment and room acoustics it was not really possible to make that determination. Cheers!