The problem is not just having the motor in the plinth. Vibrations are transmitted through the belt itself, and they cause all sorts of distortion. I went to great lengths to isolate the motor from the plinth on my VPI table, and I used two different motors, one much "quieter" than the other. I still had a drastic improvement when I went to the (much smoother) Teres motor and ditched the Hurst motor/belt drive configuration altogether.
Don_c55 - I'd be interested to see you design and market a successful line of high-end audio products. Not so easy. VPI has used cheaper materials because they have to. My Aries 1 turntable is a good example - they used real wood in the construction of the plinth, and made a fantastic turntable. But it was too expensive to produce that way, so in the later iterations they used different (yes, cheaper) materials. Harry Weisfeld said somewhere that the Aries 1 would be an $8000 TT if they sold it today. Nothing wrong with an $8000 turntable but that's a pretty small market niche.
Don_c55 - I'd be interested to see you design and market a successful line of high-end audio products. Not so easy. VPI has used cheaper materials because they have to. My Aries 1 turntable is a good example - they used real wood in the construction of the plinth, and made a fantastic turntable. But it was too expensive to produce that way, so in the later iterations they used different (yes, cheaper) materials. Harry Weisfeld said somewhere that the Aries 1 would be an $8000 TT if they sold it today. Nothing wrong with an $8000 turntable but that's a pretty small market niche.