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What Does Holographic Sound Like?

And how do you get there? This is an interesting question. I have finally arrived at a very satisfying level of holography in my system. But it has taken a lot of time, effort and money to get there. I wish there had been a faster, easier and less expensive way to get there. But I never found one.

Can you get to a high level of holography in your system with one pair of interconnects and one pair of speaker wires? I don't believe so. I run cables in series. I never found one pair of interconnects and speaker wires that would achieve what has taken a heck of a lot of wires and "tweaks" to achieve. Let alone all the power cords that I run in series. Although I have found one special cable that has enabled the system to reach a very high level of holography -- HiDiamond -- I still need to run cables in series for the sound to be at its holographic best.

There are many levels of holography. Each level is built incrementally with the addition of one more wire and one more "tweak". I have a lot of wires and "tweaks" in my system. Each cable and each "tweak" has added another level to the holography. Just when I thought things could not get any better -- which has happened many times -- the addition of one more cable or "tweak" enabled the system to reach a higher level yet.

Will one "loom" do the job. I never found that special "loom". To achieve the best effects I have combined cables from Synergistic Research, Bybee, ASI Liveline, Cardas, Supra and HiDiamond -- with "tweaks" too numerous to mention but featuring Bybee products and a variety of other products, many of which have the word "quantum" in their description.

The effort to arrive at this point with my system has been two-fold. Firstly, finding the right cables and "tweaks" for the system. Secondly, finding where to place them in the system for the best effects -- a process of trial and error. A lot of cables and "tweaks" had to be sold off in the process. I put "tweaks" in quotation marks because the best "tweaks" in my system have had as profound effect as the components on the sound. The same for the best of the cables, as well. For me, cables and "tweaks" are components.

Have I finally "arrived"? I have just about arrived at the best level that I can expect within my budget -- there are a couple of items on the way. In any case, I assume there are many levels beyond what my system has arrived at. But since I'll never get there I am sitting back and enjoying the music in the blissful recognition that I don't know what I am missing.

I should mention that there are many elements that are as important as holography for the sound to be satisfying, IMO. They include detail, transparency, coherence, tonality, and dynamics, among others. My system has all of these elements in good measure.

Have you had success with holographic sound in your system? If so, how did you get there?
sabai
geoffkait's avatar
geoffkait
23,365 posts
 
Sabai, again, we have failure to communicate. What I originally posted was the following:

"As I said, we believe what we chose to believe. Sabai, if you don't object too much to my saying so, it's ironic and bizarre that you would attack someone who is presenting unusual ideas when you, yourself, are presenting unusual ideas. Cables in series, indeed. Hel-loooo! Lol"

You continue to insist I said Holographic Sound was an unusual idea, but actually I said no such thing. I said connecting cables in series was an unusual idea. Now do you see the irony? One wonders why you are so defensive about your holographic sound. Did you invent it? Lol
bryoncunningham
890 posts
 
09-30-12: Sabai
Bryoncunningham,
Once again, you have nailed Geoffkait to the wall so perfectly that I could not have put this any better. Bravo.
Thank you, Sabai. Let me take this as an opportunity to apologize to you for contributing to the hijacking of this thread, which you began.

FWIW, I would add you to the list of people whose posts create a clear idea of the person behind them. In your case: sincere, open-minded, and passionate. You and I sometimes agree, sometimes don't, but we've handled our differences without any hostility. I appreciate that.

Bryon
geoffkait's avatar
geoffkait
23,365 posts
 
Sabai wrote,

"Is it so difficult to answer my question? What's the mystery? Why can't you give a straight answer to a straight question? In case you did not notice, my question was very simple -- and very straight. In fact, I believe it was not very difficult to understand. Your evasive reply was "I kinda doubt you've heard what all of them have said on the subject". This is not a good enough answer -- with or without the Lol at the end. Why can't you name names? Why can't you give us specific statements that specific people have made? Why can't you put facts in place of evasive replies? I can read English as well as the next person on this thread. I'm waiting. We're waiting."

Clarke Johnsen and Kal Rubinson, senior reviewers/writers at large for Stereophile magazine and Positive Feedback, respectively, to name two industry insiders, have expressed the opinion that obtaining a real, 3D soundstage is either (1) not of great importance overall or (2) not obtainable at all since any 3D soundstage is "artificial" or imaginary (in the mind of the listener). These opinions were expressed over on AA. Lord knows where their statements are archived, but somewhere, no doubt. For the record, I do not agree with those opinions.

Cheers
mapman's avatar
mapman
22,341 posts
 
Chad,

I think people would be less concerned about Geoff and his contributions if he were not a vendor potentially profiting from his actions. Vendors who are forthcoming and clearly add value like Atmasphere catch relatively little flack. In fact, most appreciate that they are willing to share their expertise in a forum like this.
mapman's avatar
mapman
22,341 posts
 
BTW i have a background in designing defense systems as well (digital mapping systems specifically hence my moniker).

I work for a private corporation in a different industry these days.

Also I am not a vendor though I worked selling audio gear in various places back in my college days.
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