Work done by Daniel J. Levitin shows, "Musical activity involves nearly every region of the brain ... and nearly every neural subsystem."
for sure Levitin is right but,
Musical activity involve all the body not only the neural system...
And consciousness can react to something that appear disruptive or disturbing as non musical and also non "musical" ... For example a British amateur of Puccini encountering what may appear to him , uneducated, "savage" didgeridoo music from Australia...Judgement is related to emotion and the amygdala too and to all the body history...
But the goal of human journey is the emergence of a larger consciousness from the already existing one through investigation and the crossing of our unconscious trends ...
In a more trivial way we can improve our musical and sound experience with a better knowledge , learning how to put our taste aside for a moment ...
In a more trivial way creating a good system /room playback ask for way more than "tastes" ...Psychoacoustics concepts and music concepts can do the job especially if the designer use them too and incorporate them in his design ...
As atmasphere in his design or Dr. Choueiri in his own had done ... And as Dr. Rudolf Gorike did it with his AKG headphone K240 and K340 which i am honored to own not because of my mere taste ( i did not like them right out of the box) but because the learning experience of this acoustically designed headphone with a grid of passively tuned resonators improve all my "musical" and musical experiences now ... ...To appreciate something we must learn how and why to use it , the amygdala reaction is not enough but nobody can do without his amigdala for sure ...