What is the best Reel To Reel machine ever built?


Everyone who has listened to master tapes or dubs knows about the well balanced sound they provide. But it is also important to have a fine tape recorder or playing machine to enjoy the tapes' qualities in a good system.
Maybe my question was raised once before but the relevance of the topic is now greater as the tapes are back to more and more audiophile friends, especially those who are owning excellent phono chains.

I have seen many big & professional machines being recently offered and sold on e-bay, Audiogon and other platforms and I am discussing within a small group which machine is really the "holy grail" among the R2Rs. So why not here. I am interested in findings.
thuchan
I don't know how a fully tweaked and top of the line Crown would compare to the Studers, Ampexes, MCIs, etc, that have come up in this discussion. But I do think that Ralph would have one if he thought it competed sonically with those big boys.

Thuchan, Several years transpired between the day I sat aghast listening to the horrid first generation Sony CD player that had replaced all those Crown tape decks and the day I asked my boss about the fate of his tapes. By then I was ready to jump on them myself, if he by some luck had stored them away. I forgot to say also that when I heard the Crown cum first-generation tapes, he was using Bose 901 speakers driven by a huge McIntosh amp. When later I heard the Sony CDP, he had also truly upgraded to giant Dunleavy's. So he had much better speakers in the latter instance, yet there was no comparison in sound quality to what I had heard earlier from the very lowly Bose speakers. The Dunleavy's enabled one all the better to appreciate the shortcomings of CD in those days.

He was a renowned scientist and a true music lover, an aficionado and patron of all local concerts, a man who entertained some of the great artists in his home, including conductors and soloists who might be performing at the Kennedy Center in DC. Sometimes they played for him. (All the names escape me now.) Yet he could not hear how terrible the Sony was and could not therefore appreciate his grievous error. He often made fun of me (in a nice way) for continuing to listen to vinyl. In turn, I could never bring myself to tell him what I really thought about his ultimate choice in source material.
Ralp (Atma Sphere) -- if you catch my posts and Lew's comments, we would appreciate it if you would weigh in on the quality (sonics and build) of the Crown and Tandberg R2R machines back in the 70s. As I recall, they were SOTA, but mostly for the consumer market. I think Crown may have served the pro market too, but I don't have any experience with that application.

How would rehabbed old Crown and Tandberg machines compare to some of the SOTA gear listed above?

Wow, that's one hell of a story, Lewm!
I'm glad I had the opportunity to enjoy it, vicariously :-)

Best,
Sam
I don't think Crown was into audiophile level quality. I repped them from 1980 to 1990 or so. The family was into missionary work, and Crown recorders were designed to be simple, repairable and operable in difficult environments. They used to set up broadcast facilities all over the world (and also built transmitters they sold mostly direct).

Brad


I don't think it is difficult to get into the Tape Business again. You are able to buy excellent master dubs on the market (e.g. Tape Project). If you have some friends sharing this specific adventure you might  be able to make copies for your personal use and also exchange ideas about new sources (search under The Audio Archive).

Don't start with a feeling of limitation, regard it as an exclusive window in your audiophile chain. Whenever you are listening to well recorded tapes you migh agree that this is setting the standard in your system. Also for comparing to vinyl or certain cartrigdes. And don't forget the haptic feeling when you are operating a tape machine. We could ask Mike, Albert or Sam if they stay cool when being in contact with their R2Rs...

best @ fun only