What is the “World’s Best Cartridge”?


I believe that a cartridge and a speaker, by far, contribute the most to SQ.

The two transducers in a system.

I bit the bulllet and bought a Lyra Atlas SL for $13K for my Woodsong Garrard 301 with Triplanar SE arm. I use a full function Atma-Sphere MP-1 preamp. My $60K front end. It is certainly, by far, the best I have owned. I read so many comments exclaiming that Lyra as among the best. I had to wait 6 months to get it. But the improvement over my excellent $3K Mayijima Shilabi was spectacular-putting it mildly.

I recently heard a demo of much more pricy system using a $25K cartridge. Seemed to be the most expensive cartridge made. Don’t recall the name.

For sure, the amount of detail was something I never heard. To hear a timpani sound like the real thing was incredible. And so much more! 
This got me thinking of what could be possible with a different kind of cartridge than a moving coil. That is, a moving iron.

I have heard so much about the late Decca London Reference. A MI and a very different take from a MC. Could it be better? The World’s Best? No longer made.

However Grado has been making MI cartridges for decades. Even though they hold the patent for the MC. Recently, Grado came out with their assault on “The World’s Best”. At least their best effort. At $12K the Epoch 3. I bought one and have been using it now for about two weeks replacing my Lyra. There is no question that the Atlas SL is a fabulous cartridge. But the Epoch is even better. Overall, it’s SQ is the closest to real I have heard. To begin, putting the stylus down on the run in grove there is dead silence. As well as the groves between cuts. This silence is indicative of the purity of the music content. Everything I have read about it is true. IME, the comment of one reviewer, “The World’s Best”, may be true.
 

 

mglik

@rauliruegas I'm guessing you didn't read my last post without rancor. Here it is again:

Raul, you seem to be missing something here. Clearly, analog has been competing 'against it' for a very long time.

You don't have to know anything technical to understand this statement! All you have to know is that tape is still being made for analog recorders, that used quality analog recorders command prodigious prices, that new titles are being issued on reel to reel tape and what people say about the tapes and their machines.

If analog could not compete quite simply we wouldn't be having this conversation! Instead it would simply be gone and no further talk about it other than historical context.

It really is that simple.

[emphasis added]

Dear @mijostyn  : I agree with you and not only to " applaud " you but because we are talking in the same " tunned channel ". Btw, check the @larryi  post, interesting.

 

R.

mijostyn"My answer is simple. Bernie is wrong, dead wrong."

Wow that is remarkable you know more than Bernie Grundman you must be in great demand by the record companies it's amazing you can keep your professional medical, legal, and engineering practices open with such demand for your knowledge please tell us again what analog tape decks you're using I forgot.