What's Good 5.1 pre/pre with DD, DTS, DPL II


I decided to go 5.1 instead 7.1 at this time. Take some complexity out of it.

I figured what I'm goning to use the most is DD or DTS for DVD movies, and DPL II for VHS or TV viewing and occasionally for Music beside the good old 2ch stereo.

DPL II and DTS Neo:6 is equivalent and I heard DPL II is better .

So, DD, DTS, DPLII and
good internal DAC for CD playing.
5.1 analog input will be nice but not really necessary

What are the pre/pro choices for this at around $1500 - $2500 street price.
eandylee
In the MSRP range you've indicated, I'd give Rotel a serious look. Not many manufacturers are making a pure 5.1 pre/pro now, as everyone seems to think that more surround channels means better sound (often, maybe even rarely, true). Like you, I decided to stick with 5.1 channel HT, and haven't regretted the decision a bit. If you are willing to buy a used pre/pro, add the Bryston SP1 to your list. It's a really fine unit with analog bypass, although it lacks inputs for SACD as well as Dolby Pro Logic II. Several used SP1's have been listed for salerecently on A-gon in the $2200-2400 range.
Addendum:
Bryston is a great unit but is primarily known for fine stereo not HT. If you want both go with Meridian or Theta.

JWH
I'm surprised no one mentioned the studio choice for processors "Lexicon". In your price range you may have to go used, but the Lexicons will blow the socks off of most processors. There is a trade off however, for pure music pleasure they are not the best. Picture quality and effects they can't be beat. So all and all they build some of the best units. You also may consider that if you get a 7 channel even if you don't use it for now you are future proof. I have a DC1 couple years old no problems really impresses my friends while watching things blowing up
Well, yes, the Bryston is great for stereo but.....about 1/3 of the DVDs currently on the market have been QC'd or mixed with a Bryston in the chain. No other brand is even close to having as many professionals relying on their gear. Bryston is widely accepted as "the" standard for audio quality control in the Movie industry.

That being said, I still believe that HT performance is very close among all the top competitors. I have practically heard them all and liked a lot of them. Along with Bryston, and Meridian, I would look at Lexicon, Anthem, Rotel, and EAD, as well.
Thanks guys,

Meridian 561, Bryston SP1, Lexicon MC1 looks nice,

Questions:

Mdridian 561 - I heard that it's DAC is only 20bit as opposed to 24bit on others... is it true? what does it mean?

Bryston SP1 - Beside those extra featurs and bells & whistles, is there differece sonically sounds quality performance etc compare to SP1.7?
Also, Bryston's website says "Easy Upgrades" with bold face under feature section(http://www.bryston.ca/sp1_m.html), What does it mean? Does it mean I can get it upgraded with DPLII - Is it supported?