What's the weak link in my system?


     I've pieced together the best budget system I could afford over the years but I'm just not thrilled with the sound I'm getting. Can anyone help me identify the weakest link (s) in my system so I can upgrade? I only have the budget to upgrade one piece at this time. I'm most interested in listening to vinyl.
Currently Configured:

Pro-ject Genie 1.3 Turntable w/ Sumiko Pearl Cartridge
Bellari VP 130 Phono Pre w/ Tung-Sol Tube & Replaced Power Supply  
Marantz CD 6006 CD Player
Parasound P3 Stereo Preamp
Parasound A23 Power Amp
PSB T6 Platinum Speakers
Bluesound Node
AKG K702 Headphones
Audioquest Daimondback Interconnects
Audioquest Rocket 33 Speaker Wire

Also Have:
NAD C235BEE Integrated AMP
Monitor Silver RS6 Speakers
Marantz SA8260 SACD Player (Used to sound great but doesn't work consistently - not sure if worth having repaired)
Musical Fidelity V Can Headphone Amp


So.... I think I have put together the best possible system configuration using what I have. What would be the weakest link / first to upgrade? Turntable? Phono Pre? Pre-Amp? Suggestions of products to upgrade to without breaking the bank? I've accumulated a bunch of stuff but I'm really a novice so any and all feedback would be greatly appreciated!   

jdm11
willemj,

With the confidence that you exude in your opinions on every topic, you should post your system on a Virtual Systems page so we can all see what you have chosen and your experience level. Short of that, we can only hope that your advice is taken with some caution.

Dave

As I teach my students, the truthfulness of a statement does not depend on who is making it, (let alone on the content of their living room). However, I don’t mind. I have two serious systems:
1 main system in the large living room
Speakers: Quad ESL 2805 (at full range), with B&W PV1d subwoofer and Antimode 8033 room eq. Crossover at 33 Hz, and 4th order slope.
Amplifier: Quad 33/606-2 (both refurbished, of course). The pre amp had its input senstivities modified to match modern sources (this is very important).
Sources: a modest Panasonic BD player, a Panasonic Plasma TV, a Chromecast Audio.
Souces still connected but no longer used: Linn Sondek/SME/Shure V15iii turntable, and Quad FM3 tuner (I now use internet radio for its superior sound quality).
And for those of you who are interested in cables: ordinary heavy duty speaker cable and quality interconnects with Nakamichi connectors, put together by a pro audio engineer.
Upgrade plans include firstly a second sub for even smoother response, and perhaps a DSpeaker X4 pre amp for improved room eq and its inbuilt DAC (but maybe it will be an Oppo 205). The Quad 33 is getting a bit long in the tooth.

Secundary system in my 18 sq m study
Harbeth P3ESR as desktop speakers, raised to get the tweeter exactly at ear height (crucial for all dynamic speakers, and often overlooked).
Amplifier: Quad 405-2 (refurbished of course), input senstivity lowered by inline attenuators.
Volume control: Emotiva Control Freak
Source, desktop PC, with external ODAC usb dac.
Because the speakers still had a slight bass boost as a result of the proximity to the desk surface I equalized them a bit with the equalizer APO.

So as you can see I live by my conviction. Also, I am not one prone to the upgrade virus. My first system was QUAD esl57 with the 33/303 and that Linn SME combo and that was in the mid seventies. I later added a Philips cd player, subsequently replaced by a Marantz unit when we wanted a DVD player and similarly now the BD player. If and when there will be enough UHD video content, I will probably replace that with an Oppo 205 (perhaps also used as a pre amp). For years, the system in my study used the Rogers LS3/5a monitor, until I replaced it by the far better Harbeth P3ESR.
I do like having my tv screen attached to the stereo. I am not a home video buff, but I like better sound when I watch tv, and I think the video is an important part of the recorded opera/ballet experience. A good example is the magnificent Gergiev recording of the Ballets Russes at the Mariinski theater.

willemj wrote,

"Sure, if you want good audio you have to say goodbuy to the vinyl romance anyway."

goodbuy is almost certainly a Freudian slip of some kind. 

Many here are not as students but as colleagues. I trust that you do not treat your colleagues as students, at least not with any success.

We have one thing in common: not proned to the upgrade virus, at least not for me in what I call the "Foundation System" (downstream of source).

Your sources and cables preclude confidence in your recommendations. Low resolution from the former leads to false perception regarding the latter.

Placing a big flat piece of glass between your speakers is a sure-fire way to kill imaging and soundstage, but perhaps your (now) unique and excellent speakers minimize that in your main system.

As long as you are happy, that’s what counts.

Dave
Geoff, sorry about the spelling mistake - English is not my native language.

Dave, you made a philosophical mistake that is taught in undergraduate class. That is all I said.
Beyond that, I knew you would play the heads I win, tails you loose game. Still, that does not mean you are right. I know I will never convince you because science and the scientific method are irrelevant in your phantasy world, but here is a proper test of the Chromecast Audio: http://archimago.blogspot.nl/2016/02/measurements-google-chromecast-audio_27.html
As it so happens, I also listen to real live (acoustical) music, and I must say that on the main system the recorded version (if recorded well) comes pretty close, apart from the inevitably more limited dynamic range compared to a live symphony orchestra or choir. But then, we don't live in concert halls or churches.
Not sure what you mean by the piece of glass, but go and listen to a live classical concert, and you will discover that there is not that much soundstage and imaging going on either when you close your eyes.