Slawney,
The golden age of high-end audio has occured intermittently and lies in the software. When great artists, song writers, arrangers, musicians, engineers and producers all care enough to approach a project with a "no compromise" attitude, it happens. There are examples that I own dating back to the early sixties that will truely blow away most of todays recordings. If I had broader musical tastes the golden age would date back further. If you would like to see just how far we "haven't come" with all the electronic gadgets we own you should find a vinyl copy of the first stereo recording ever made. I have the two volume set of Leopold Stokowski conducting the Philadelphia Orchestra, 1931-1932 by Bell Laboratories. You simply can't mentally imagine how great this is. I guess what I'm saying is that no matter how much money we spend on high-end gear if there is garbage in, there is garbage out. Tweaks and such would become less sought after if more artists copied the studio work ethic of Steely Dan. These comments are not meant to take away from the progress made in hardware development. It's just one man's opinion on why it is so hard to find the musical "Holy Grail".
Happy listening,
Patrick
The golden age of high-end audio has occured intermittently and lies in the software. When great artists, song writers, arrangers, musicians, engineers and producers all care enough to approach a project with a "no compromise" attitude, it happens. There are examples that I own dating back to the early sixties that will truely blow away most of todays recordings. If I had broader musical tastes the golden age would date back further. If you would like to see just how far we "haven't come" with all the electronic gadgets we own you should find a vinyl copy of the first stereo recording ever made. I have the two volume set of Leopold Stokowski conducting the Philadelphia Orchestra, 1931-1932 by Bell Laboratories. You simply can't mentally imagine how great this is. I guess what I'm saying is that no matter how much money we spend on high-end gear if there is garbage in, there is garbage out. Tweaks and such would become less sought after if more artists copied the studio work ethic of Steely Dan. These comments are not meant to take away from the progress made in hardware development. It's just one man's opinion on why it is so hard to find the musical "Holy Grail".
Happy listening,
Patrick