When is the golden age of high-end audio?


When is the golden age of high-end audio? When and where is the exaltation of music by the component and the component by the sound, the exaltation of buying and consumption through the sumptuary spending of high-end production? Whatever the subjugation of high-end audio to the management of capital (but this aspect of the question--that of the social and economic impact of high-end audio--always remains unresolved and fundamentally insoluble), high-end audio always had a more than subjugated function, it was a microphone held out to the universe of great music, great orchestras, great conductors, it was for a moment their glorious imaginary, that of a technical one, but an expanding one. But the universe of high-end audio is no longer this one: now it is a world that is both saturated and involuted. At some point, high-end audio lost both its triumphal imaginary and, from being in some sense a glorious microphone and playback device, it passed in some sense to the stage of mourning.
There is no longer a golden age of high-end audio: there is only its obscene and empty form. And high-end audio advertising and marketing is the illustration of this saturated and empty form.
Gone is the happy and displayed high-end component, now that it is suddenly like a man who has lost its shadow. Thus the high-end store these days closely resembles a funeral home--with the funereal luxury of the component buried, transparent in a black light, like a sarcophagus. Everything is sepulchral--white, bnlack, salmon, marble. Built like a tank--in deep, snobbish, dull black. Total absence of colors.
So, I ask you, when and where was the golden age of high-end audio. What individual component, in your opinion, is the testimony of a triumphant artistic-technical industry that was at its apogee? Why not save this golden age from decomposition? Later the historians and maybe our grandchildren will rediscover it, at the same time that they discover a culture that chose to bury it in order to definitively sell its soul to the devil, to bury its seduction and its artifices as if it were already consecrating them to another world.
slawney
It is now and has been for as long as I have been around.

The turntable is the component. Cartridge, arm & platform is the package I speak of.

Like a musical instrument it reproduces what it is fed, naturally. Unlike digital which changes the input and then only gives back what the numbers say, analogue reproduces the level that is in the play back linkage. The higher the resolution the better quality feedback is provided.

$50 cartridge (new), $50 80's used tt with a little tlc will produce a wonderful sound with a reasonably isolated platform. From that point shovel some $$$$$$ and the quality of performance increases no matter the downstream components.

Analogue lives and breathes just like a musical instrument.
Slawney,
I believe the sense of golden age has more to do with one's own innocence, enthusiasm, and lack of experience at an early stage of involvement than with the actual state of audio recording or componentry.
Yes, the field has become impossibly commercialized, but the truth is that virtually all phases of audio, from recording to electronics design, are technically much better now than 30-40 years ago. It's easy to see backwards with rosy glasses, and to forget that your less-well educated ears in those days forgave many more distortions, coloration, poor signal:noise ratio, crummy bass, and poor microphone placement than happens now.

As to Sayas's comments on analogue, my ears are too well developed not to hear the coloration and signal limitations that are par for analogue - its just one more variation on the limits in electronic reproduction of live music. Electronic reproduction will likely always fall short of the real event - the thing is to focus on music, find the electronics that best capture the aspects most important to you, and dispense with the endless search for the impossible! (But do accept new technology when it really represents an improvement, as multichannel someday will )

The Golden Age of audio begins when you find local friends & dealers who are patient, knowledgeable & open minded.
I think that this topic is very subjective without any one answer. For me, the golden age was in the late 50s with push pull tube amplifiers that allowed the change from horn to dynamnic speakers. I was just a boy when I built my first tube amp from a kit, you can talk about the merits of point to point soldering buy my first couple attempts was pure neighborhood soldering. I went on to build speakers(again from a kit, bought the enclosers and tried to match drivers and crossovers). It's not that the equipment was that good compared to the present but at that time it was such a large leap from low output amplifiers and colored horn loudspeakers.
I don't know which era is the Golden Age but I'm sure that we are at the "Darkest Age of Audio" right now ...............