I don’t think it takes months of break in, and any decent dealer will make sure things are properly set up and functioning and not use break in as an excuse. It is true that it is hard to do meaningful auditions; to some extent experience helps in extrapolating and getting meaningful information from an audition. If something sounds good in a particular system, you know it is possible to get sound from your target gear; if the audition goes poorly, you cannot rule out the component because it may not be at fault. This is admittedly complicated, but, in time you will get better at finding what will suit your taste and system.
When someone tells you it's a $40,000 amp, does it sound better?
I've always been a little bit suspicious when gear costs more than $25,000 . At $25,000 all the components should be the finest, and allow room for designer Builder and the dealer to make some money.
I mean that seems fair, these boxes are not volume sellers no one's making a ton of money selling the stuff.
But if I'm listening to a $40,000 amplifier I imagine me Liking it a whole lot more just because it costs $40,000. How many people have actually experienced listening to a $40,000 amplifier. It doesn't happen that often and usually when you do there's nothing else around to compare it to.
I'm just saying expensive gear is absolutely ridiculous. It's more of a head game I'm afraid. Some how if you have the money to spend, and a lot of people do, these individuals feel a lot better spending more money for something. Now you own it, and while listening to it you will always be saying to yourself that thing cost $40,000 and somehow you'll enjoy it more.
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- 235 posts total
- 235 posts total