When the Audio Critic was subjective.


I was reading through this old issue of TAC and it is quite amazing to see how subjective Peter Aczel was in his earlier days before the "all amplifiers sound the same" kick.  Yes I know he didn't say exactly that, but you know what I mean. 
I think I liked the magazine much better when he presented a more balanced combination of measurements and subjective listening. 
http://www.biline.ca/audio_critic/mags/The_Audio_Critic_V1-2.pdf

chayro
I seriously doubt most readers here even know who he was. Too long ago, too obscure. But ya neva know!
Aczel was just a run-of-the-mill subjective reviewer, certainly no J. Gordon Holt, or even Harry Pearson. I don't recall what lead to his "objective" transformation, but was thereafter an obnoxious jerk. His ethics came into serious question when he used the mag to promote his own loudspeaker, his credibility when it became known his hearing was seriously impaired. Good riddance.
At least he wasn't touting expensive wire and fuses - unlike many on this site!
I seem to recall he was touting some rediculously-priced Class A amplifier in one of his initial issues. 
That was the Levinson ML2 mono 25 watt amp. And Aczel was correct! A classic design and still one of the best sounding amps! Designed by Tom Colangelo (who also designed the ML1 preamp).