Which Mono Cartridge at around $1,300.00?


I'm in the process of upgrading my well cared for Thorens TD145. I started by soldering in WireWorld phono cable along with getting a basic tune up. I want to replace my Grado ME+ mono cartridge with a substantially better mono cartridge. Currently, the tone arm is stock. My records are classical (orchestral, chamber, vocal, etc...) dating from the 1940's and 1950's so I've been cogitating on the Ortofon SPU Mono GM MKII or a low output Grado (i.e. the sonata reference 1). My phono stage is the ASR Mini Basis Exclusive. All or any suggestions would be greatly appreciated.
Thanks!
goofyfoot
Goofy, MC cartridges are typically classified as "High Output" (HO) or "Low Output" (LO). LO is loosely defined as something less than 1.0mV at 5cm/sec. (This is not written in stone.) Most of the mono MCs under discussion here have an output somewhere between 0.3 and 0.8mV. If your phono stage has enough gain for a stereo cartridge with such an output voltage, then it will also work with a mono cartridge of that ilk. You need to find out what is the gain afforded via your phono stage in order to decide whether you need a step-up transformer (SUT). If the use of a SUT can be avoided, so much the better for both your wallet and your results. On the other hand, some would say that the net result of using a SUT with a phono stage of modest gain capability is to be preferred vs using a hi-gain phono stage that may not otherwise sound as good. There is endless debate on this subject; I have no dog in that fight. You don't HAVE to use a SUT if you don't need it. This is basic stuff.
' it will also work with a mono cartridge of that ilk.' I think ilk being the operative word in your statement as not all cartridges are created equal, which is the point of this discussion or so I thought.

To clarify things a bit more and maybe I should have done this earlier but here are the specifications from the ASR Website;

The ASR Mini Basis Phono preamp has the following features :
 The case is made from high-quality, lightly transparent acrylic glass
 Highly efficient, shielded 72 VA PM (Philbert Mantelschnitt) transformer
 High-quality magnetic sheet metal with a low magnetic field gives good dynamic
 Ultra fast Schottky-Rectifier, buffer 200,000 uF with Philips switchmode Elkos
 Very fast
no difference between mono and stereo on whether to use a step transformer or not. Either you need the extra gain or not. If you have an MC input with enough gain then you don't "need" an SUT. The benefit of using an SUT is related to running low output cartridges into your MM inputs versus MC inputs that oftentimes aren't as well constructed/thought out/matched as an SUT into the MM inputs.
Dear Goofy, What you need to find out is what is the rated gain of the phono stage via the MC inputs. What you quoted is just advertising fluff. Somewhere somehow they must also report the gain capability. However, just based on the fact that it is an ASR, I think it is quite likely that you will have adequate gain if you plug your tonearm cables into the inputs labeled "MC" or "MC phono". That is, you probably do not need a SUT. The factors that determine the need for a SUT are (i) cartridge signal voltage output, and (2) phono stage gain. Period. If you have enough of (1) and (2), you don't need a SUT.

Not all cartridges are "created equal", but the requirements for amplifying their outputs are the same regardless of brand, stylus shape, or whether they are mono vs stereo types. The only cartridge parameter that matters in this case is the voltage output for a given stylus velocity. Most manufacturers state the voltage output for a velocity of 5 cm/sec, these days. See also my post above your last one.
Thanks Lewm, I didn't mean to sound snarky, Below is the best that I could copy and paste from the phono stage manual. By the way, there are no separate inputs for MM & MC, just the way it's put together. As a side note, I've always had a basic understanding that low output cartridges tended to sound better than high output cartridges. Yes, the idea here is to see whether or not my phono stage and tonearm are a good match for a particular cartridge.

3.0 Adjusting the ASR Mini-Basis
Before you do any adjustments inside the ASR Mini-Basis please disconnect the power cord from the AC outlet.
a)  to adjust the ASR Mini-Basis, please remove the cover of the main unit. Please use a 3 mm allen wrench to loose the four screws
b)  inside the main unit you find four DIP switches to adjust the ASR Mini-Basis
c)  in input resistance can be adjusted at the 10 pole DIP switches
d)  the gain can be adjusted at the 6 pole DIP switches
d) the DIP switches have two different settings: „ON“ or „OFF“; be sure, that the switches are correctly set (when set correctly, you will hear a slight „klick“)
c) please set the DIP switches exactly the same for the right and the left channel

3.1 Adjusting the input resistance
The ASR Mini-Basis can be perfectly adjusted to bring out the best sound out of every cartridge you may ever use. Adjustment of the input resistance can be made from 47 kOhms for MM cartridges to 12 Ohms for low output MC cartridges.
We know from experience that if you are using an adjustment with a lower input resistance the ambiance is improved with limited dynamics, with a higher input resistance the overall performance is brighter and more dynamic, but definition and precision are limited.
You can easily find out the perfect setting for you: make an adjustment and listen to the system.
The adjustment you like best is the one you should choose!


3.2 U Adjusting the input capacity
The input capacity can be adjusted on DIP switch No. 10: position „Off“ = 50pF, „On“ = 150pF.
You can easily determine the value for your cartridge by using the cartridge manufacturer’s recommended value and subtract the capacity of the phono cable you are going to use –
the result is the value you have to adjust in your ASR Mini Basis.

3.3 Adjusting the gain
The gain can easily be adjusted on the 6 fold DIP switches „Gain Adjust“. The switches can be combined to get higher gain. The minimal gain of +30 dB is obtained with all Dip switches in OFF, the Maximum gain of +72 dB is obtained by putting all DIP switches to „ON“.
To know the adjusted gain please add the following values to 30 dB :
switchNo.„ON“ none 6 5 4 3 2 1 All1-6 Gain 0dB +6dB +12dB +18dB +24dB +30dB +36dB +42dB
Please set the DIP switches exactly the same for the right and the left channel (only exception from this rule: your cartridge has different output from the right and left channel).