Why Don't We See More High Current Electronics?


It seems that in looking around for amplifiers and integrated amps that double their power as the impedance is halved (high current), they seem to be in a minority. Is it just more costly to build good-sounding high current electronics and the market demand for them just isn't there, or what?
foster_9

You can get the exact same current delivery for a given load without the expense of an amp that doubles its power when the impedance is halved. It's true that such an amp, depending on its power capabilities, could accomodate a wider range of speakers, but in general it's unnecessary.

Which would you prefer, a 250 watt amp into 8 ohms that doubles into 4 ohms or a 600 watt amp into 8 ohms that produces 900 watts into 4 ohms? -03-14-11: Bob_reynolds

Errr ...ahhhh.... Hmmm.. the one that doubles thank you ...

regards,
03-15-11: Atmasphere

Why not ask what the relationship is between doubling power and how your ear/brain system hears? The short answer is that you get flatter frequency response, but only with certain speakers. This comes with a price- distortions that the ear is extremely sensitive to. The ear hears these distortions as a variation (coloration) in frequency response! So in a way, you can't win with the explanation of flat frequency response.

- Atmasphere

LOL .. Deja vu Ralph ?
there are more manufacturers here in the US of vacuum tube audio products than there was in 1958! - Atmasphere

Yeah, but i wouldn't hold it against them, it's their use of carburetors that gets me... :)

regards,
Ooooo . . . I've been summoned, like Notorious B.I.G.!
http://www.southparkstudios.com/clips/155324/the-ghost-of-biggie
Actually Al, you're correct save a small arithmetic error. A "pure voltage source" amplifier that clips at 100W into 8 ohms of course puts out a maximum of approximately 40 volts peak-to-peak before clipping, regardless of the input waveform or load impedance. So for the combination of two equal-amplitude sine waves at 4KC and 40C, that's 20V peak-to-peak for each before clipping, or 14.14VRMS each . . . corresponding to about 12.5 watts RMS at 16 ohms, and 25 watts RMS at 8 ohms, or each at 1/4 the rated power like you said. To some, these numbers might seem like a large amount of "loss", but this waveform into even a low-sensitivity domestic loudspeaker would be absolutely ear-splitting (and probably tweeter-frying in short order).
interesting, but unfortunately, simplified theoretical scenarios are not very enlightening regarding what really matters playing real music.

Having a well made amp that is in no risk of breaking a sweat in practice is simply one of the best and simplest strategies to pursue in putting together a system. The actual benefits may vary, but it is an insurance policy at worst.

Few other decisions in audio can be made this easily, so doing it provides a firm playing field for mucking with all the rest as needed.