Why is 2 Channel better than multi-channel?


I hear that the music fidelity of a multi-channel AV Receiver/Integrated amp can never match the sounds produced by a 2 channel system. Can someone clearly explain why this is so?

I'm planning to upgrade my HT system to try and achieve the best of both worlds, I currently have a 3 channel amp driving my SL, SR, C and a 2 channel amp driving my L and R.
I have a Denon 3801 acting as my pre. Is there any Pre/Proc out there that can merge both worlds with out breaking my bank? Looking for recommendations on what my next logical steps should be? Thanks in advance.
springowl
While Herman nailed it on the head, you also have to consider that you now have an even greater amount of speaker to room interaction taking place. If you have actually ever taken the time to try to obtain optimum performance with TWO speakers, you already know that you don't want to mess with trying to set up a half dozen. Sean
>
I would agree with sean. When a two channel system is set up correctly, the soundstage needs NO speaker in the middle. The problem is that seldom do people take the time to learn and execute proper speaker placement, or people build the system without regards to the room volume and dimensions (Too big of speakers in too small of room with a rack of equipment or worse a big T.V. in the middle). This will lead to disapointment of two channel. It has taken years to get two channel right,dedicated circits, wires not crossing all over the place, dampening materials on walls,correct speaker width and distance from sweet spot, speaker in proper placement in relationship to room boundies, correct toe-in of speakers, amp stands and stereo stand dampend (which is major important with tubes). With all this done, critical listening can be done to really bring a system to life. You will hear the differance in tubes, wires and anything else you do to the system. Once you get to this point you will not want to add more because you will get less, less enjoyment! Keep it simple.
It seems that people try to improve sound by making things more complicated. I have tried this approach and have been disappointed. More speakers, bigger subwoofers, The typical american approach. Now I keep it simple and the rewards have been great

Ted

system: sony sacd-1 feeds to cary 805c with 40pt step-attenuators built-in feeding proac 2.5. two 20amp and two 15 amp dedicated circuits with kimber sockets. lots of sand and mdf board lamanted togeter for dampening. This is my path to bliss.
I should add that in many cases mono has better fidelity than stereo 2ch.
I do collect old mono records for their outstanding sound quality of the golden era.
Technically, it's not. A good multichannel system can provide far more spatial information than any 2-channel rig. The catch is the word, "good." 5.1 is a rather poor compromise essentially imposed by the movie industry. Then there are the cost and set-up challenges. I'm sticking to 2-channel (even for video!), but I won't claim it's inherently better.
The quality of imaging available in multichannel systems using height information (for example David Chesky's 6.0 audio layout) substantially surpasses what even the best of 2 or 3 channel stereo can do. Bomarc is right in stating that 5.1 is theater-driver and is not optimized for audio.
It will be some time before the recording community and audio industry at large learn how to record, produce and market multichannel audio in a practical way. This is a large subject and cannot be covered here.
However, as multichannel evolves, it's to be hoped that audiophiles will be the first to recognize the potential, since we care more about sound quality than does any other group.