Why People Like Tekton

@chayro 

I love my archaic Harbeth Super HL5+ (resonant panels! inneficient! mundane tweeter materials! a fxcking port!) They are just a joy for listening; I don’t think about them when I am using them

Beautiful sound, and wonderful levels of detail, but not in your face; if you want to listen deeper, more is always there (Stevie talking to his horn players at beginning of Superstition; the beautiful work by Brian Jones on Beggars Banquet)

Not a fan of lip-smacking or guitars made to sound like harpsichords.  Diana Krall and Nils Lofgren recordings *not* on my speaker audition list - too manufactured (I respect the artists, it’s the recordings that aren’t to my taste)

“Mining for Gold” by the Cowboy Junkies is my idea of a speaker audition song. Just Margot, that pure, pure voice, and the clunky church HVAC system in the background

Yes, I’m from the Dionysian school of audio, though I respect the Apollonian approach

Have a great day!

@jonwatches - Funny you brought up the SHL5s, because back when I had my big Naim rig years ago, the SHL5s were fully capable of delivering every nuance of Nora Jones' saliva and lips, so it's really about what they're connected to.  Probably the same with Tekton.  That was a great system.  But I think one has to come to the point to where they are honest with themselves about what they like to listen to and not what the audiophile magazines tell them is good.  Some people never get there. 

Some funny comments here! What I don’t understand & hopefully someone can help is how many speakers have only one tweeter & sound relatively balanced w/ nice extended high end & others like Tektons , McIntosh etc have many tweeters & also sound more or less balanced too??

Speaking of MC, looks like he is selling his Raven Blackhawk and moving to solid state, Pass Labs.

Raven Blackhawk