Why will no other turntable beat the EMT 927?

Dear Thuchan, I remember the most of your pictures about the building of your dedicated listening, uh, space. I don't however rememer to have seen any 'steel reinvorced slabs' anywhere while non of your components is 'hanged' on the walls. My apartment is on the 11e floor so if there were no 'steel reinvorced slabs' under my foot or my gear I would be no more among us. Thanks Henry for your explanation why I am still a live. I wrongly thought that Lew or Fleib would explain this 'wonder' to me considering the fact that I smoke longer than 50 years. As some old chess master stated: 'the human understanding is limited but human stupidity is without bondaries'.

Regards,

Tbg, That is interesting that you replaced the Halcyonics with the StillPoints. Before doing so, did you try the StillPoints between the turntable and the Halcyonics? Could you please describe how the sound changed?

I met the designer of the StillPoints last weekend at the NYC Audio Show. He indeed explained to my friend and me that the SP are designed to drain internal vibrations down from the component as well as isolate it from structural born vibrations coming from below the component. He also explained to us that his products make the most difference when placed under speakers, then electronics and finally under source components like turntables.

Have you tried placing some StillPoints on the plinth of your turntable, assuming there is room?

Peterayer, I had two Halcyonics unit with one under the turntable and one under the amp most of the time. I had thought to buy more Halcyonics but the price got outrageous. Really it was the StillPoints Rack that came along first. When I put everything on the SP Rack it was better than my previous sound. I longed for the possibility to have all Halcyonics but could not afford that. Ultimately the guy who bought my Shindo turntable wanted the Halcyonic unit so I sold both. The second Halcyonic went shortly thereafter.

I did try various feet between the Halcyonic and the Shindo but they did little.

I think Paul is wrong about where the greatest benefits of the SP Ultra SSs or Ultra Fives are. On my amps SP Ultra Five on SP Component stands are just outstanding. Once I got rid of the acrylic shelves on the SP Rack, the Ultra SSs and Ultra Minis are also outstanding. The SP Ultra Fives are outstanding under speakers, but four are needed, not just three. In all cases four are better than three, but you have to keep all four in contact with the component.

Most vertical vibration is turned into horizontal vibration which can nowhere and thus is converted into heat.

No my present turntable is a Bergmann Sindre with no real suspension. It is on SP Ultra Fives which are also mounted on a SP Component stand. Initially, I am just going to put the Nantais Lenco Reference where the Bergman is now. The hundred pound weight of the Reference will mean something other than the Mana Stands glass shelf.

Tbg, Could you please describe the sonic difference between the Halcyonics and the StillPoints? Did you ever try the same turntable on both devices? Thanks.

Norm; a followup to Peterayer's question....

when you did (or if you did) compare the Halcyonics to the Stillpoints under the turntable, was the Halcyonics on a totally grounded rack with no de-coupling? in other words, was the Halcyonics optimized? was the floor beneath the rack concrete with the rack spiked into it?

thanks,