Why will no other turntable beat the EMT 927?

Dear Raul,
I am fascinated by you thoughts, "why can't it be?"
Because when you have the MS BL-91 and the EMT 927 in very good conditions (no cheap buys, no unserved units) and you compare these two tables under the same condition in a good system you will hear it. If not, oh boy...

Dear Lewn,
I may tell you why so many accepted the proposition. Because I believe many have heard about the capabilities of the EMT 927. Among serious audiophiles there is no doubt that the EMT 927 /R 80 is one of the great designs in turntable history as are e.g. the big Micros
To be honest I couldn' t really believe it until I convinced myself of the sound qualties of this machine.
Indeed the entry level is a huge one, I mean pricewise and finding a well preserved and perfectly running unit. Whenever you have a chance pls. do listen to the EMT. You will beginn to understand...

Yes to my ears, the system I had and the music I myself listened to at the time the Micro BL-91 sounded better.
I now own a Basis Debut and feel it sounds better than the EMT. The music I listen to now has changed some what but what I like in a system has not.
If we all did not hear differences in sound this would not be a hobby. We would ALL be listening to CD's and digital music because that is what some felt was the BEST at the time and analog would be dead. That was not a Fact either was it.

Dear Thuchan, I certainly did not mean to doubt your veracity. I was just remarking on how the wording of your original question had a profound effect on the subsequent discussion. Gadget-lover that I am, I would dearly love to see and hear an EMT927 in real life; the quality of its construction is evident merely from photos. (Which is why I would never be without a Leica M3, antique though it may be.) Placing the phono stage right at the base of the tonearm is also ideal; I am thinking of how that could be done with separates in my own system. And I can believe that the EMT tube phono stage may be excellent. (I think you also stipulated that the tube version is a "must".) However, I have trouble believing that the solid state EMT phono stages are still state of the art. If one is auditioning the EMT927 as an entity cum EMT phono stage, then of course the phono stage is going to have a major effect on one's overall opinion, as also for the tonearm(s). The only real valid comparison would be EMT turntable vs other turntable, using same tonearm/cartridge/phono stage/etc. Have you ever done that?

Dear Lewm,
do understand! You should come to Munich one day to hear the EMT R 80 with the EMT JPA-66. I am running separate phono stages with the EMT R 80. The R-80 has no inbuilt phono pre which is appropriate to my system requirements. I have also heard the inbuild tube pre with an EMT 927 which sounded really good, too.

Yes I compared my tables with the same arm and the same phono stage. This is what I am doing permanently and I love it while others may believe in a one table/phono pre solution.

Your Leica is a beautiful instrument, now you should consider going for a IIId :-) BTW do you know the book of Alessandro Pasi - Leica, Witness to a century, revised edition. big recommendation!