Why will no other turntable beat the EMT 927?

Yes to my ears, the system I had and the music I myself listened to at the time the Micro BL-91 sounded better.
I now own a Basis Debut and feel it sounds better than the EMT. The music I listen to now has changed some what but what I like in a system has not.
If we all did not hear differences in sound this would not be a hobby. We would ALL be listening to CD's and digital music because that is what some felt was the BEST at the time and analog would be dead. That was not a Fact either was it.

Dear Thuchan, I certainly did not mean to doubt your veracity. I was just remarking on how the wording of your original question had a profound effect on the subsequent discussion. Gadget-lover that I am, I would dearly love to see and hear an EMT927 in real life; the quality of its construction is evident merely from photos. (Which is why I would never be without a Leica M3, antique though it may be.) Placing the phono stage right at the base of the tonearm is also ideal; I am thinking of how that could be done with separates in my own system. And I can believe that the EMT tube phono stage may be excellent. (I think you also stipulated that the tube version is a "must".) However, I have trouble believing that the solid state EMT phono stages are still state of the art. If one is auditioning the EMT927 as an entity cum EMT phono stage, then of course the phono stage is going to have a major effect on one's overall opinion, as also for the tonearm(s). The only real valid comparison would be EMT turntable vs other turntable, using same tonearm/cartridge/phono stage/etc. Have you ever done that?

Dear Lewm,
do understand! You should come to Munich one day to hear the EMT R 80 with the EMT JPA-66. I am running separate phono stages with the EMT R 80. The R-80 has no inbuilt phono pre which is appropriate to my system requirements. I have also heard the inbuild tube pre with an EMT 927 which sounded really good, too.

Yes I compared my tables with the same arm and the same phono stage. This is what I am doing permanently and I love it while others may believe in a one table/phono pre solution.

Your Leica is a beautiful instrument, now you should consider going for a IIId :-) BTW do you know the book of Alessandro Pasi - Leica, Witness to a century, revised edition. big recommendation!

Hi Thuchan,
You mention the R80, but I am not familiar with that model. Is it essentially an EMT 927 without built-on tonearm and phono stage? Based on what you say, you are the foremost expert on the sound of the 927/R80 and the best person to say it is the best turntable.

IMO, the Leica M3 is the most perfect camera ever made. Everything that came after it is a copy of its basic features but with less quality. I've got three lenses for mine, and I still use it on the odd occasion. I also bought a Sony NEX7, so I could use the Leica M lenses for digital photos. I am not familiar with that particular book, but I will look for it. Thanks.

Dear Lewm,
the R 80 is the prototype of the EMT 927. about 60 units were built in the 50ies. They differ in their various configurations. EMT decided later to use the inbuilt phono pre for the 927 and also used a light and a brake etc. All this comes not with the R 80. In this way the R 80 is a very puristic 927.

Agree with you on the Leicas despite I am using the Canon 1Ds and the Sony Nex7, too. I think the M6 is not such a bad design :-)