Why will no other turntable beat the EMT 927?

Btw, you are wrong when refered that I'm talking of digital because I did not. Maybe you can'T understand what means: " tool ".
I'm speaking of a tool to improve the analog experience. Is it not what you were asking for?

Why your " surprise " ?

Got it?

R.

Normally we are accustom our ears are accustom to what we prefered more than what is right. Of course some of you already know what is right or wrong but some of us are not aware of that subject and what I'm saying is for the ones that are not aware of.

Now, till this moment I posted some steps that could help to be sure where we are " seate d" and till this moment no one posted something that can enrich the proposal/alternative.

Seems to me that no one is willing to " unglue " of what learned and with this kind of attitude is almost imposible to have a formal discussion that can help to achieve better conclusions or better alternatives to improve what we have.

I gave two steps to improve system distortions: better bass system management and system matched electrical impedances. Till today no one posted that he already achieved it years ago or that started yesterday to do it through system changes and shared his experiences.

So, what's all about?

Raul, if you really did do what you state in the quote above I am proposing to you that it was lost in translation- no such thing by you seems to have been offered, at least none that made sense.

Now in your second to last paragraph it sounds like you are talking about something that I did decades ago. Can't be sure though.

As far as 'what's its all about?': make it sound as true to the recording as possible. To do that you have to understand human hearing/perceptual rules which are not a matter of taste nor ear training. If you do understand those rules you can make a better, more-like-real-music sounding stereo.

Raul, though this is a thread about the EMT 927, I will indulge you.

You asked why no one posted how he improved his system or something about listening to live music. I will describe a few of the things that I have done:

About six years ago I wanted to decrease distortion and increase transparency. So I hired an electrician. I bought 45' of JPS Labs IN-Wall AC cable and three high quality Furutech IEC connectors. I gave them to the electrician. He then replaced my three wall AC outlets and ran three lengths of 15' JPS cable from three dedicated 20 amp circuits on my panel through the floor and terminated the other ends in the Furutech connectors. They go to each of my mono amps and to a conditioner to my front end electronics and turntable. There are no outlet connections in my system. The noise floor dropped and I decreased distortion.

Another example is that I was unsatisfied with the isolation supports for my amps and turntable. I ordered three Vibraplanes, preloaded them with custom cut steel ballast plates and properly isolated those components. The result was dramatic. In particular, the bass frequencies were cleaned up and this increased overall clarity, tonal accuracy and balance, and extension and impact. This decreased distortion still further.

I recently made a trip to Vienna to see the State Opera. My host was the Director of Archives for the Wiener Staatsoper. He told me that he wanted me to experience the energy created by the instruments as heard and felt close to the source of sound. I attended three closed rehearsals and sat six feet away from the first violinist and conductor. Four hours a day, for three days. Then, for each of four nights I sat in the Director's box and heard four different operas. You can image the quality of the sound and music in that great hall. And the difference in sound from the orchestra pit to the second balcony, first row center.

When I returned home and listened to my system with the memory of that energy and sound in my brain, I realized that I needed to adjust my cartridge loading, phono gain and volume settings. I also confirmed cartridge alignment. Based on what I heard live in Vienna, I changed my settings which lowered distortion and helped my system sound more like the real instruments.

All of this was in service to what you call "right" or "wrong" with live music in a great hall as the reference. My regular BSO seats are seventh row center.

I hope this is an example of what you mean by someone attempting to lower distortion and listening to actual live music as a reference to improve his system.
The funny thing is, now I "like" my system more.

Ecir38, I did at the High End Munich show 2012 in connection with the Silbatone Western Electric show. It was very impressing! Maybe a somehow underrated table.

Dear Peterayer: I have no doubt that what you experienced in Viena listening at near source field live music was the most enlighted, learning and full of enjoyment of any other music experiece you had on your life.

I assumed because I had that kind of full experiences too in several ocasions. This is IMHO the best music reference we can have and a must to live it.

So, you understand very clear what means: low distortions and certainly what's right or wrong and that's al about.

Btw, looking to your system and even that your system place/room is not a big one but due that your magico's 7 inch. drivers are handling a wide frequency spectrum I can tell you that you could be nearer to teh recording and nearer to what you experienced in Viena adding to your system two active subwoofers in full stereo fashion. You will lower distortions as you never imagined. An opinion only.

Regards and enjoy the music,
R.