Tonywinsc, there is an easy way to understand neutrality without unicorns.
Make your own recordings and commit them to LP. The process of doing so will result in a recording of which you have a complete understanding and memory. When you hear it played back you will instantly know the limitations of the playback system and will be able to gravitate to those that impose less limitation.
IME, transducers and electronics arrived at a point long ago such that they can fool the most jaundiced audiophile (seen it happen) but the media (tape, LP, digital) has a long way to go (although lathe cuts played back on a good system are the best thing out there by a long shot).
Hmm. Maybe I am talking more about 'reference' here than I am 'neutral'...
Make your own recordings and commit them to LP. The process of doing so will result in a recording of which you have a complete understanding and memory. When you hear it played back you will instantly know the limitations of the playback system and will be able to gravitate to those that impose less limitation.
IME, transducers and electronics arrived at a point long ago such that they can fool the most jaundiced audiophile (seen it happen) but the media (tape, LP, digital) has a long way to go (although lathe cuts played back on a good system are the best thing out there by a long shot).
Hmm. Maybe I am talking more about 'reference' here than I am 'neutral'...