Why will no other turntable beat the EMT 927?


Having owned many good turntables in my audiophile life I am still wondering why not one of the modern designs of the last 20 years is able to beat the sound qualities of an EMT 927.
New designs may offer some advantages like multiple armboards, more than one motor or additional vibration measurements etc. but regarding the sound quality the EMT is unbeatable!
What is the real reason behind this as the machine is nearly 60 years old, including the pre-versions like the R-80?
thuchan
Tonywinsc, there is an easy way to understand neutrality without unicorns.

Make your own recordings and commit them to LP. The process of doing so will result in a recording of which you have a complete understanding and memory. When you hear it played back you will instantly know the limitations of the playback system and will be able to gravitate to those that impose less limitation.

IME, transducers and electronics arrived at a point long ago such that they can fool the most jaundiced audiophile (seen it happen) but the media (tape, LP, digital) has a long way to go (although lathe cuts played back on a good system are the best thing out there by a long shot).

Hmm. Maybe I am talking more about 'reference' here than I am 'neutral'...
I see how this works now Everyone-last replies on 8-113, this is how they should have shown up.

1st response, twice by mistake-Thuchan
Tbg- the one after on manufacturing
Petarayer - 3rd one is reply to your comment on neutrality
Mosin - the last reply on 8-15-13 is for you
Dear Dkarmely: There is no doubt that you are a passionate music lover an audiophile and a in deep admirer of the 927 and so deep that maybe you a are leaving some importants facts or at least not mentioned yet on the 927 quality performance.

I have no doubt either that at engeneering level the 927 is a " tour de force " and I would like to know how that so high level of engeneering is reflected against some facts/specs/measures that speaks about one of the main design TT targets named accuracy. I think that first than all when we are talking at this so high level of designs we have the right to know how accurate is the item.

So, how it compares on signal to noise ratio for example against the Exclusive 3a that measures 95db? or against the Yamaha GT 2000 with a wow and flutter of 0.0025%? or the Technics SP10MK3 speed stability of 0.0001%?

Engeneering must be reflected on accuracy characteristics against what is in the market, especially when we are saying that the 927 is the " holly grail ". Maybe you can put some " light " about.

Now, I agree with Tonywynsc that neutrality could be the " perfection " that can't be achieved but ( again ) when we are touting so high the 927 is reasonable to ask for that characteristic that as Peterayer said is plain and simple: " don't add or lost nothing to the recorded signal ".

Natural from your point of view and your examples posted is more a subjective parameter that means it's not neutral but only diferent with different colorations/distortions.

I never had the opportunity to heard the 170 kg. American Sound TT that's a different kind of design including its drive mechanism but I heard the Final Paruthenomn( 140 kg. ) that was an assualt to the state of the art on TT.

Btw, Mosin I think that is so elusive the neutrality target that you really can't find out that " boring " you said. But that's not the point, what you said seems to me only : how to find out a mistake on what I posted. I know that you know exactly what I'm refering when I speak of neutrality on TTs.

Regards and enjoy the music,
R.