Wilson Audio Haters

@bo1972

You just keep showing your ignorance when you criticize my gear. Just as you look ignorant dismissing Wilson. Take a good look at those tweeters on your favorite spurious artifact producing speakers - too tall for the job - technically inadequate for the job. You like spurious artifacts that give you your 3D circus performance. No doubt it is impressive. No doubt many audiophiles crave this kind of show. Others have different needs like accuracy, correct timbre, balance and ability to play at realistic sound levels without ultra low levels of distortion. Sorry but 3D SFX is not what I am looking for in audio.

Audiogon is a lot of fun for me. I need to laugh all the time when I read the reactions

Yes for me too. I got a good laugh when I saw your system set up so "proffesionally". All nicely lined up against the wall.
Tru-Fu is probably hiding behind the curtains?

In 3 years of time we auditioned only one system who showed all the parts of Tru-Fi. It had the same kind of structure we use but without Statement Audio Pro-measurement.

https://www.facebook.com/photo.php?fbid=10155603840790083&set=a.10155603801710083.1073741890.588...

Tru-Fi is a totally different way of creating an audio system. Like Statement Audio Pro-measurement is a new approach to disclude the acoustic limitations.

Beside the acoustic limitations, creates S.A.P. much more details which are gone with any other highend pre amp. 

In a comparison with an Audio Research Ref -5SE the differences could not be bigger. 

We used the same Pass Labs Poweramp, AQ Redwood, 2 pairs of AQ Wel Signature xlr and Purist Audio Limited Edition luminist powercables.

The 5509 with S.A.P. had a much deeper and weider stage. The Ref 5Se created 0.5m of stage depth. The 5509 eith SAP can create 5-6metrres of stage depth with the same recording.

The 5509 could reveal details like the articulation of vloices which were fully gone with The AudioReseach.

Even in layers and emotion the 5509 outperformed the 5SE with ease.

The low freq went a lot deeper and had more layers compared to the 5SE.

The individual focus of instruments and voiced was so much shaper and precise than the 5SE. Soon a person with an Absolore pre amp of 30.000 dollar will come to my house. I will ask him if he is prepared for a shootout.

We have proven to many tube owners that our sound shows much more layers and creates more emotion thanb their tube pre amp and poweramp.

We want to use more shootouts in audio. We will make profesional videos of it.

Audio is all about facts and the truth :) 

@plutos ........hahahahahahahahahahahahahahahahahahahaha lol :)

You life in the past and we live in the future. When you audition S.A.P. you will understand that it does not makes sense anymore where they stand. 

Many people with highend sets were amazed that we could create a level they never experienced before. The were the most impressed that even the loudspeaker is on the side and the other is a little more free does not make a difference.

S.A.P. adapts the speakers. It knows were it stsands in the room. With a professional microphone the volume of the left and right speaker is exactley the same. Even when the stand differently placed.

Another stunning thing is Stealth low freq. This creates a new reference in low freq. Many people called it the best low freq. they ever auditioned.

Because it puts the subwoofer in phase with the loudspeakers. Beside this the system knows exactley were it stand in the room.

The energy is exactley were it is on the recording. Never before you hear the energy of instruments fully free in space just like in real. This is not possible with old fashion audio without S.A.P.

Plutos the Pass labs X150 is one of the weakest amps Pass Labs ever created. The 150.5 had the same kind of limitations. I know them all.

Your Marantz Sa-1 is a 2 dimensional source. This means that the stage it build is not able to create over 1 metre of stage depth. It even creates less than 1 metre of stage depth. We tested it and we could proof to the client who owned it that it limited his 3D stage.

He sold it and bought an Olive 06HD. His stage became a lot deeper and wider.

Again this proves that most people buy 2 dimensional products.