Eminent Technology ET-2 Tonearm Owners



Where are you? What mods have you done ?

I have been using these ET2's for over 9 years now.
I am still figuring them out and learning from them. They can be modified in so many ways. Bruce Thigpen laid down the GENIUS behind this tonearm over 20 years ago. Some of you have owned them for over 20 years !

Tell us your secrets.

New owners – what questions do you have ?

We may even be able to coax Bruce to post here. :^)

There are so many modifications that can be done.

Dressing of the wire with this arm is critical to get optimum sonics along with proper counterweight setup.

Let me start it off.

Please tell us what you have found to be the best wire for the ET-2 tonearm ? One that is pliable/doesn’t crink or curl. Whats the best way of dressing it so it doesn’t impact the arm. Through the spindle - Over the manifold - Below manifold ? What have you come up with ?
128x128ct0517
Thanks Ct, I seem to remember reading in past about the hose/ coupling limitation. I have read the comments and discussion on Salvatore's site and found them interesting.

I scanned the threads you linked and did not find anything about ET-2 or pressure. Perhaps I didn't look close enough.

I don't have my setup plumbed in a way that allows me to adjust it from the listening position but I should probably do that. From what I can tell so far I think at 19psi things seem to go a little dead but there seems to be a nice spot where things open up a bit at about 16psi.

I agree that filtration is an important part of the system and while my compressor is located a bit far away in a different environment I probably have more dedicated to filtration and drying than most as I also use the compressor for spraying finish so I have more traps and driers than most. I also have a regulator at the compressor for the turntable line and another filter and regulator at the turntable. The regulator at the turntable is a low pressure large diaphragm unit which may help a bit. I do not have a surge tank at the table however.

Also here in SoCal there is probably less difference between the indoor and outdoor environment than in many parts of the world.
HAVE A LOOK AT THIS

Hi Apbiii – I would much rather be where you are in S. Cal. – it is 3 degrees Celsius here right now about 37 degrees F. :^(

In those previous links see Detonearm’s comments in the threads. In the second link is the turntable with air supply that was running an Air Tangent and ET2.

A picture is worth a thousand words. If there is anyone anywhere that has a picture of their setup they want to share but can't post for whatever reason - please send me an email. I have no problem creating a special ET2 section in my virtual system page so others can see your setup. I will keep it anonymous.

Cheers
****Are we to take your words literally ? The cartridge is about 7 inches from the spindle ? Have you come up with ET 3.0, a longer I beam that I have only been thinking about, or are you talking about removing enough lead and having your weights positioned at number 6 on the I beam ? ****

I have constructed an I beam (balsa wood) that uses a leaf spring from one of the regular ET I beams which allows me to to move the counterweights up to 6 inches from the spindle; although not the 7 inches that I implied. With my cartridges which are either medium compliance Vandenhuls or high compliance MM's, the improvement in bass weight
and detail is significant. One other way to experiment with moving the weight further from the spindle is by using the threaded brass weights on the threaded rod that secures the regular lead weights to the counterweight holder. This allows the weight to be further back, and effectively "extending" the I beam.

Speaking of the I beams, no one has mentioned the importance of experimenting with leaf springs of different compliances. I have three ET (plastic) I beams, each of a different compliance. The lower the
compliance the more tightly focused the sound is. Higher compliance springs make the sound a little "bloomier", with an all around easier
presentation.

The use of the higher pressure manifold and Medo compressor was a revelation for me. The improvements were very significant, but I found
that in my system higher than 17 psi was too much of a good thing. 17 psi gave me the desired tonal balance. More than that and the sound was too tightly controlled for my tastes.
Frogman, do you mean 19 was a little too much and ...

I think I agree that 16 - 17 seems to be the sweet spot in my system.

Ct, that was an amazing setup on the Chinese thread. Do I understand correctly that he had mounted the arm from the top on a micrometer controlled X/Y stage???

I just got a post back from Mike at VPI with some suggestions so my next move will be setting up a ball suspension to replace the springs in my TNT. Apparently this will make a significant difference.

I just realized I can set up a system with pictures so I will try to get something posted.
Apbii, yes 17 was the best in my system. But keep in mind that this had everything to do everything else in the system. I don't think it is a matter of the ET "working best" at 19 (or 17) psi. I think I can safely say, after working with this arm for many years, that the arm "works better" (tracks better) at somewhat higher psi than that achievable with the original stock or even the Wisa pumps, but after that point (+/- 9psi?), it is probably a matter of personal preference (system).