What makes up an

hi darkkeys:

there is no guarantee that accurate will be pleasant and there is no guarantee pleasant will be accurate. the recording and the stereo system can contribute to a pleasant sound.

if a stereo system is minimally inaccurate, there will be instances in which it does not sound pleasant, as a consequence of the quality of the recording.

However, Darkkeys not to worry:
Case in point: I listened to an old DECCA recording from 1963 of basso arias with Nicolai Ghiaurov just now, a LP, which got several distinctions and which is in perfect synergy with the analog part of my system. I then listened to the reel to reel tape (Columbia M2Q 516, 1963) of Mahler's 9th with Bruno Walter, a recording which is anything but perfect and also the tape machine is not quite up to the standard of the rest of my rig. Actually I should have listened the other way around. The mediocre first and the "perfect" afterwards. The point is however, Bruno Walter's conducting of the symphony was so outstanding, that after a few bars into the music, you completely forget what was alluded to above:
"if a stereo system is minimally inaccurate, there will be instances in which it does not sound pleasant, as a consequence of the quality of the recording".
If you like the music as is, you get drawn into it, forget about the system and the rest is just talk and that goes for any kind of music, not just for the classics as in my example. Condition for this to happen is of course that you are a music lover, just as much as you are an audiophile. But even if you are just an audiophile, fixated on how your rig sounds, you will find that your ears will adapt to the changes in rendering more often than not, which can make things difficult to judge properly, as we all know.

I agree with mrtennis.. If only we could take the listeners out of the equation. It does raise the question. "If a system is playing music and no one is present, can it really be called music.?? One way to take the listener out of it is to send his wife to shop for the system. Think of the money that would save. You would have a lousy little system and she would have a dozen new pair of shoes.....

Anyone coming to the Rocky Mountain Audio Fest????

I feel that the musicians/artist make the song pleasant to the ear. Not necessarily the equipment. As stated above in various ways in the various post, a great song on a lousy system still sounds good because of the song itself. A lousy song on great equipment is still a lousy song although the performance capability of great equipment is still evident.

For comparison sake, I believe this applies to a musical instrument also. If you put a lousy musician on a instrument of proven quality, the lousy musician will make this quality instrument sound lousy. Put a very skilled musician on a lousy instrument and the song will still sound great. Put a skilled musician on a quality instrument and it sounds even better.

This is only my opinion as one who listens to and appreciates music.

Is there a general agreement that the term "budget high end" gear is a legitimate term for inexpensive gear that crosses over the threshold of hifi sound?

"Is there a general agreement that the term "budget high end" gear is a legitimate term for inexpensive gear that crosses over the threshold of hifi sound? "

To my mind and ears absolutely yes.
I very much liked the musician-instrument comparison. Right on the dot. Thanks Darkkeys!