Hi Philcoffino – welcome to the thread. Interesting point about the smaller circle and built up energy ? I need to give that some thought. The smaller circle is what caused the most problems for me when I tried to convert a belt drive designed TT to thread drive. Pitch stability suffered when longer thread was used.
I will say “again” any one with an ET-2 on a suspended TT needs to pay extra attention to detail. Here are 3 additional leveling tips based on taking down and remounting the ET 2.0 / 2.5 over 20 times in the last year. 4 different tables plinths / no plinths and also 4 armpods.
These 3 techniques saved me a lot time and frustration.
I went to one of those neat hardware stores and bought a level that is as close to the same length/size as the ET2 Straightline Jig.
1) Place it on the platter in the EXACT line that your ET-2 straight line alignment jig would go – levelling this way ENSURES your platter is level in the path the arm will take.
2) The tonearm air bearing spindle is not IMO in the same exact level plane as the tonearm armpost it attaches to. It a physical connection with bolts – DON’T TRUST IT. Some of these arms are old now. Many people level the arm post. IMO - this is a mistake.
Use Blue Tac (Fun Tac) a little heavier than the cartridge on the counterweights to raise the Arm Tube and Cartridge and have the Bearing Spindle float with gravity. Adjust armpost vertical screws until it does not move either way.
3) While arm is floating (in 2) move wires around with pencil or your finger – Fix/dress the wires so they don’t affect the arm. Do this with the arm raised at the START and END of the record.
If the above three points are done the stylus "run-in" and "run-out" should be the same.
Thoughts?
I will say “again” any one with an ET-2 on a suspended TT needs to pay extra attention to detail. Here are 3 additional leveling tips based on taking down and remounting the ET 2.0 / 2.5 over 20 times in the last year. 4 different tables plinths / no plinths and also 4 armpods.
These 3 techniques saved me a lot time and frustration.
I went to one of those neat hardware stores and bought a level that is as close to the same length/size as the ET2 Straightline Jig.
1) Place it on the platter in the EXACT line that your ET-2 straight line alignment jig would go – levelling this way ENSURES your platter is level in the path the arm will take.
2) The tonearm air bearing spindle is not IMO in the same exact level plane as the tonearm armpost it attaches to. It a physical connection with bolts – DON’T TRUST IT. Some of these arms are old now. Many people level the arm post. IMO - this is a mistake.
Use Blue Tac (Fun Tac) a little heavier than the cartridge on the counterweights to raise the Arm Tube and Cartridge and have the Bearing Spindle float with gravity. Adjust armpost vertical screws until it does not move either way.
3) While arm is floating (in 2) move wires around with pencil or your finger – Fix/dress the wires so they don’t affect the arm. Do this with the arm raised at the START and END of the record.
If the above three points are done the stylus "run-in" and "run-out" should be the same.
Thoughts?