Frogman - that was one point I was going to mention that has not been covered, the tightening of the 4 bolts on the manifold. I tried one bolt tighter than the rest to get a single point ground effect, but ultimately came to the same conclusion as you, evenly and not too tight.
Re the cabling, my ultimate set up had the armwire running straight from the wand to a teflon block on the side of the tt plinth midway along the arm travel, ie centered. But I also turned my preamp sideways and backed it up to the deck so I only needed 6" of cable from tt to pre. I simply soldered the arm wire straight into the phono cable. The whole loom was probably not much more than 14". For some customers I would install phono inputs on the side of the preamp, if the phono was situated on the left, so they could put the preamp next to the tt and run super short looms. In my own instance 6" of raw MIT cable beats 1m of MIT Oracle ( and probably any other phono cable out there ) easily in this application. The best wire I found was a silk ofc litz, preferred to stock, Vdh silver & cardas.
Re the cabling, my ultimate set up had the armwire running straight from the wand to a teflon block on the side of the tt plinth midway along the arm travel, ie centered. But I also turned my preamp sideways and backed it up to the deck so I only needed 6" of cable from tt to pre. I simply soldered the arm wire straight into the phono cable. The whole loom was probably not much more than 14". For some customers I would install phono inputs on the side of the preamp, if the phono was situated on the left, so they could put the preamp next to the tt and run super short looms. In my own instance 6" of raw MIT cable beats 1m of MIT Oracle ( and probably any other phono cable out there ) easily in this application. The best wire I found was a silk ofc litz, preferred to stock, Vdh silver & cardas.