You're probably listening too loud


After many years of being a professional musician and spending hundreds of hours in the recording studios on both sides of the glass, I believe that most listeners undermine the pleasure of the listening experience by listening too loud and deadening their ears.

As a resident of NYC, there are a million things here that make the ears shut down, just the way pupils close up in bright light. People screaming, trucks, subways, city noise. Your ears keep closing up. Then you go home and try to listen on the hifi, but your ears are still f'kd up to get to the point. Try this experiment.

Hopefully, you can all have some degree of quiet when you can sit down and listen. Start with a record or CD of acoustic music with some inner detail and tonality. I like to use the Naim CD with Forcione and Hayden, or the piano/bass CD with Taylor/Hayden. Just simple, relaxing music. Real instruments doin' real things.

Start by sitting back and leaving the volume just a little lower than you find comfortable. Just like you want to turn it up a bit, but leave it down. Sit back and relax. I would bet that in 7-10 minutes, that "too low" volume is going to sound much louder. That's because you're ears have opened up. Now, without changing anything, that same volume is going to sound right. Step out of the room for a second, but don't talk with anybody. Just go get a glass of water and come back - now, that same volume is going to sound louder than you thought.

Sit back down and listen for a minute or two - now, just the slightest nudge of the volume control upwards will make the sound come alive - the bass will be fuller and the rest of the spectrum will be more detailed and vibrant.

Try it - every professional recording engineer knows that loud listening destroys the subtleties in your hearing. Plus, lower volumes mean no or less amplifier clipping, drivers driven within their limits and ears that are open to receive what the music has to offer.

Most of all - have fun.
chayro
Jimjoyce25 - nice comments. I am very sorry indeed for the misunderstanding, and the subsequent "blurt" I made. I really need to quit reading and posting stuff so late at night, but that's usually the only time I have to do it. Agree 100% with your post. As I have said before, it's a good thing I became a musician instead of a writer....enjoy the music!
Jimjoyce25 exactly! And it is important to note in this post, that its author speaks of dynamics not SPLs. Systems which are able to mimic the dynamics of a violin in a given room for example, not to speak of a concert grand which is practically impossible, are more rare than one might think and - now to speak of personal taste - only a system capable of mimicring at least the dynamics of strings would make my ears happy.
Most systems played "too" loud, generally lack the capability of the dynamic swings needed and the listener is tempted to crank up his gear to instinctively make up for that.
So true, Detlof, hope you didn't have that last sentence copyrighted because I will be quoting it in discussions.
Learsfool---You are a gentleman, thank you for your kind words.

I think this subject has something to do with the illusion created by our minds in the listening process and wanting our systems to sound "real."

When people say that their system makes the players sound like they're in the room, we sort of know what they mean (and at some level we want the same thing).

But having a string quartet playing in my living room at concert volume would probably send me running into the basement!

And so, when we confront the illusion of a system playing a recording with the reality of an actual player in the room (as in Unsound's experiment), my guess is that something in the mind has to give.