Chris. Thanks for the comparison notes. I now have a clear picture of the differences.
The Dynavector arms have always been fascinating to me due to their radical design. Magnetic dampening and for a pivoted arm the unusual idea of deliberately different effective mass in the vert and horiz planes. Both of these features being recently discussed in this thread.
Have only listened to 2 of these beautiful arms and in systems that I am unfamiliar, so cannot draw any concrete condclusions.
I have included a quote here from their manual on the 507 should anyone be interested.
• 3 Bi-axis inertia separation for accurate signal reproduction and superb tracking ability
"Bi-axis inertia separation" may sound complex but it simply refers to a tone arm having two arms which operate independently in the horizontal and vertical planes. In contrast, a conventional tonearm has only one arm which moves both horizontally and vertically. This is called a gimbal type tonearm and the inertia for both planes is the same.
The DV507 bi-axis tone arm has a large inertia for horizontal movement and a very small inertia for vertical movement. We shall now explain the reasons why this is advantageous.
It is well known that a cartridge generates an audio signal by the differential motion between the cantilever and the cartridge body. Consequently, if the supporting point of the cartridge (the tonearm) vibrates, the tonearm motion affects the audio signal.
In these conditions, the signal, which causes the tonearm to vibrate is of low frequency and large amplitude.
In the currently used 45-45 stereo record cutting procedure, low frequency signals are almost entirely recorded in a horizontal direction. This means that the low frequency signal, which can cause vibration in the tone arm, exists only as a horizontal force.
The tonearm therefore must have sufficient effective mass and rigidity in the horizontal plane in order to provide a stable platform for the cartridge.
On the other hand, for the mid to high frequencies, the effective mass of the tonearm should not be too large since the combined mass of the cartridge and the head shell need to be taken into account as well. In particular, where records have a warped surface, the vertical effective mass needs to be small enough to ensure a good tracking ability on such surfaces.
To summarise, the tone arm should have a large effective mass and enough damping in the horizontal plane and at the same time a small effective mass in the vertical plane.
These conditions are almost impossible to achieve with a tone arm of conventional design using a simple gimbal pivoting system. To solve the problem, Dynavector designed a bi-axis, inertia controlled tonearm where the shorter and lightweight vertical sub arm is placed at the end of the horizontal main arm. This is the special feature of our design.
The Dynavector arms have always been fascinating to me due to their radical design. Magnetic dampening and for a pivoted arm the unusual idea of deliberately different effective mass in the vert and horiz planes. Both of these features being recently discussed in this thread.
Have only listened to 2 of these beautiful arms and in systems that I am unfamiliar, so cannot draw any concrete condclusions.
I have included a quote here from their manual on the 507 should anyone be interested.
• 3 Bi-axis inertia separation for accurate signal reproduction and superb tracking ability
"Bi-axis inertia separation" may sound complex but it simply refers to a tone arm having two arms which operate independently in the horizontal and vertical planes. In contrast, a conventional tonearm has only one arm which moves both horizontally and vertically. This is called a gimbal type tonearm and the inertia for both planes is the same.
The DV507 bi-axis tone arm has a large inertia for horizontal movement and a very small inertia for vertical movement. We shall now explain the reasons why this is advantageous.
It is well known that a cartridge generates an audio signal by the differential motion between the cantilever and the cartridge body. Consequently, if the supporting point of the cartridge (the tonearm) vibrates, the tonearm motion affects the audio signal.
In these conditions, the signal, which causes the tonearm to vibrate is of low frequency and large amplitude.
In the currently used 45-45 stereo record cutting procedure, low frequency signals are almost entirely recorded in a horizontal direction. This means that the low frequency signal, which can cause vibration in the tone arm, exists only as a horizontal force.
The tonearm therefore must have sufficient effective mass and rigidity in the horizontal plane in order to provide a stable platform for the cartridge.
On the other hand, for the mid to high frequencies, the effective mass of the tonearm should not be too large since the combined mass of the cartridge and the head shell need to be taken into account as well. In particular, where records have a warped surface, the vertical effective mass needs to be small enough to ensure a good tracking ability on such surfaces.
To summarise, the tone arm should have a large effective mass and enough damping in the horizontal plane and at the same time a small effective mass in the vertical plane.
These conditions are almost impossible to achieve with a tone arm of conventional design using a simple gimbal pivoting system. To solve the problem, Dynavector designed a bi-axis, inertia controlled tonearm where the shorter and lightweight vertical sub arm is placed at the end of the horizontal main arm. This is the special feature of our design.