It is worth considering that the majority of traditional wooden instruments past and present, like cellos, violins,etc. . . just sound very bad. However, as they have been made for so long, and there have been so many luthiers in history, there are a lot of excellent extant instruments in the morasse. The application of carbon fiber to the manufacturing of string instruments is fairly new and not yet wide spread. . . as the carbon instrument inventory grows, and related manufacturing techniques evolve, we will see more and more new technology instruments that pass high muster. Besides, new instruments need to broken in. . . sometimes for a couple of years before they sound their best. In the meantime, the question to ask is: given a certain semi-fixed budget, how does one get the sound sought after? a good carbon instrument, or perhaps a Goronok or something else? It will be a matter of personal taste. . . besides, like in audio there are means to optimize the sound of a cello. . . Some Perastro and larsen string are excellent for sweetening the sound. . . then there are different bows, bridges, tail pieces, end pins. . . and sound posts. . . they all make a significant difference. . . and it is no New Age mumbo-jumbo either. Sounds eerily and audiophilically familiar? G.