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Mono VS Stereo

Hello,

For the last few years I stopped listening to my system in stereo mode and now only listen in mono. As soon as I started listening in mono my listening enjoyment went up about 300%. No longer did I become fatigued by the (Man made) stereo (Effects) created by the engineers in the studio. I grew to hate following these effects from the left speaker to the right speaker and back again with some recordings. When you attend a live performance be it Rock, Jazz, synphony or whatever, the sound comes at you in mono not stereo (Unless of course the sound man has other ideas. But as far as the band and the actual instruments are concerned there is no such thing as "Playing" in stereo. Give it a try, listen to your records or CD's in mono ( I hope you all have a mono selector on your preamps) it will be hard going back to stereo listening plus the soundstage and the way the "Band" comes across will be really cool.
nocaster
chashas1
596 posts
 
Hi Nocaster, if you have vinyl, you really owe it to yourself to get a mono cartridge. You will totally be surprised by how different it is if you have mono recordings. Look at Art Dudley's column on his musings and joys of mono. To hear a mono recording with a mono cartridge is a wonderful ear opening experience that I could certainly get behind. Just flipping the mono switch?, no....
onhwy61's avatar
onhwy61
5,217 posts
 
Sorry to confuse you. Why don't you just go with a single loudspeaker system. That would be a real mono system. I personally think mono playback can be wonderful, but you got to go all the way.
almarg's avatar
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almarg
9,670 posts
 
No longer did I become fatigued by the (Man made) stereo (Effects) created by the engineers in the studio. I grew to hate following these effects from the left speaker to the right speaker and back again with some recordings. When you attend a live performance be it Rock, Jazz, synphony or whatever, the sound comes at you in mono not stereo

I think this is the key to your preference for mono -- the material you are listening to, and its engineering. The sound of a classical symphony orchestra, or a smaller classical ensemble or soloist, being listened to in a good hall (and unamplified, of course), will be surrounded by a very striking hall ambience. That will be captured to some approximation by a well done stereo recording (especially if it is recorded with a minimal number of microphones, and is subjected to minimal post-processing), but will be mostly lost when you listen in mono mode. The same no doubt holds true for many well-engineered non-classical recordings.

Regards,
-- Al
jaybo
4,478 posts
 
i prefer 'no channels' or 'NONO'....this gets rid of everything 'manmade'.
nocaster OP
52 posts
 
I'm learning something new here (Single loudspeaker configurations and mono cartridges) really cool. Not sure if I'm ready to go all the way with mono but for sure worth a look. Great perspectives guys, one and all.
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