05-13-13: Richardkrebs
Thekong.
It should be no surprise that the arm weighs in at that figure or even higher with the heavier counterweights. It is neccessary for it to perform well with low compliance carts.
This is not correct with respect to the ET2. In my experience adding mass to the ET2 with low compliance cartridges reduces the speed, articulation, transparency and harmonic structure of the music.
Increasing mass with the ET2 also increases tracking distortion and can result in a bass hump of 6-12db by loading up the cartridge with high mass.
A quote direct from Bruce Thigpen
Bruce Thigpen
If the weight is coupled the system resonant frequency would be extremely low, a resonant frequency at 3Hz with a significant rise in response (6-12dB) results, which would affect tracking slightly because of the asymmetric position of the cantilever, we opt for splitting the horizontal resonance frequency into two points and lowering the "Q" which improves tracking.
More important than tracking, the intent was to reduce the modulation effects of low frequency energy (FM and AM) that increase distortion in the cartridge
Quote from ET2 Manual – Bruce Thigpen
P29
It is desirable in most cases ( low to medium compliance cartridges 5x10 dynes/cm – 20x10 dynes/cm ) to use the minimum number of weights, far out on the cantilever stem. This decreases the horizontal inertia of the tonearm while increasing its vertical inertia.
Adding mass to the ET2 increases the inertia to lateral movement and on eccentric records will result in increased cantilever flex and distortion.
Any excessive cantilever deflection in a moving coil will result in phase anomalies as the coils attached to the cantilever are driven into a position where the response becomes non linear. This is what Bruce Thigpen is saying.
Furthermore, with higher mass, once the arm starts moving, the lateral movement is undamped. Cartridge overshoot and uncontrolled cantilever flex are inevitable. This explains why when Richardkrebs added fluid damping the sound appeared to be better controlled or in his words had “greater presence and focus”.
This is because the addition of lead mass and removal of the decoupling mechanism from the I Beam in his ET2 pushes the horizontal mass too high and the cartridge cantilever motion goes out of control. He would be better off reducing the horizontal effective mass by removing the lead he added to his arm and putting back the decoupling in the I Beam that he removed.
If you go to the Eminent Technology website and read the ET1 manual (that’s the arm that precedes the ET2) you will discover that the ET2 was a design decision to move away from the high mass/fixed counterweight model utilized in the design of the ET1 to the low mass decoupled counterweight model utilized in the ET2. These new design considerations embodied in the ET2 resulted in substantive improvements in the quality of sound reproduction.
The decoupled I-beam methodology employed by Bruce Thigpen in the ET2 is designed to minimize horizontal mass and ensure that the resonance of the I-beam and counterweight remains below the horizontal resonance of the arm so that the 2 resonances (arm and beam) do not couple together to produce a large peak resonance in the bass.