Music vs. Components


Greetings everyone. Here's a biggie: When you sit down for a session with your hi-fi, what do you find that you are really listening to most 1) the music, or 2) your components? Where and what is that mysterious, illusive, fine line between 1) simply and wonderfully enjoying the music and.... 2) listening critically for either how "great" your system sounds (such as trying to justify upgrades, tweaks, tube rolling, wire changes, etc.) or listening for all of the flaws and weaknesses of your gear. When does the tweaking stop and the enjoyment begin? Conversely, when is it time to improve and upgrade because, in reality, you would be happier if your system sounded better?
bside123
I always listen to the music my components make.

The line exists within our insecurities.

There is no other significance to our home stereo than the fact that it play's music for us to enjoy. Neurotic behavior is independant.

As far as upgrades go, I find a funny similarity between the typical "audiophile" and the typical cult follower of scientology. Within the cult, you pay your money in the promise of improvements over what you are familiar with. And when the improvements eventually don't live up to your expectations, you are told to pay even more money for the next level up, because only then will you reach and realize the results you are looking for. Of course, soon enough you're not satisfied and of course, the only action is to pay an even higher amount of monies for the next levels which will give you what you are looking for. And on and on until you get wise or grow broke and disillusioned.

And don't even get me started on the cult of scientology. Have you heard of OT III and XENU and the space opera and whatever else that drugaddled crazyfuk l.r.hubbard made up?!

enjoy!

I love my stereo and my wife loves music. She is starting to hate me talking about anything electronic and it bugs me when she sings along to the music because I can't hear it as well. She enjoys the quality of my system, but her enjoyment in music probably hasn't improved over listening to the stock car stereo.

Which one of us loves components and which one loves music?
After tweaking my stereo and room all day today and last night, I've come to discover that 'listening to just the music" is achieved only after all components and listening room are complementing each other in such a synergistic way that they don't draw any attention to themselves. Up until tonight, I realized I was listening to the components instead of the music most of the time because, among other minor things, there was an edgy glare at certain mid and high frequencies, which always drew attention to itself and thus immediately destroyed the illusion of a natural, realistic performance in front of me.

Over the last 24 hours (rest included) i significantly ameliorated the glare issues by rearranging the acoustic treatments in the room and, pretty surprisingly, re-arranging the third party feet I have under everything. The latter made much more of a difference than I would have guessed. Once the glare was cut and things were dialed in, the music just flowed on in. It was revelatory.
It is all about the music. One should never listen/hear his components! Components should disappear into the background.
Jafant - The fact that you think that recognize that components can be prominent essentially proves that you listen to components on some level rather than music. People that are only into the music won't complain unless the CD skips.

Odd thought of the day:

Has an audiophile ever been guilty of not completely enjoying an accoustic performance becase the instrument quality (think violin or guitar) wasn't good enough quality?

I'll admit to listening to David Garrett over Josh Bell simply because David Garrett plays a stradivarius and it sound much better on identical classical music. This observation is from recording since I've only heard David Garrett live and it was amplified. A friend of mine observed that Garrett played a stradivarius while listening to a CD that I have, based on his symphony experiences.