You could say we have come full circle. Before I was old enough to get involved, audio reproduction for the home was the result of commercial products coming into the homes of industry people and Popular Workbench types. As it morphed into domestically more acceptable forms it was considered a luxury that was available only to the doctors and movie stars of the day, and those who could make their own. Toward this end, many kits and building plans were marketed.
When soldiers and sailors had the opportunity to buy Japanese gear dirt cheap during the Viet-Nam conflict overseas, they did so and brought them home. These items then began being imported in volume and, with the help of the British Invasion and drugs, a culture erupted. High end audio could be viewed as a natural consequence of that eruption. As we refined our systems, we invited ever more sophisticated and refined reproduction. In the 1980s, many entrepreneurial types found ways to involve themselves in this growth industry because they were dealing with retail margins at car prices. Money flowed and a prestige culture emerged with the impetus provided by a healthy economy and a collusive review/promotional sector.
All of this continued until where we are today. The economy has receded and the pricing of our dream equipment has escalated exponentially. Now, once again, it is becoming a hobby for only the rich and the DIY.
So maybe that is part of what keeps the young from enlisting. In our day, we held the dream of a $2000 pair of speakers as the carrot we would chase while we made do with our Time Windows. Today the counterpart of those $2000 speakers, costs $200,000. The carrot has moved too far - for most it is out of sight.
Ferrari mentioned three manufacturers who might provide exciting new options that would help to engage the interest of new audiophile -- Pass, Spectral and FM Acoustics. Of those three, only Pass could be said to be less than esoteric uber elite. And Pass costs a whoppin lot of moolah if you are just starting out. Imagine laying out what you have in your system right now.
Also, wouldn't you expect a newbie to be interested enough to read up online and get the rules of sense and judgement before making his/her first bid? Anyone who does that is apt to discover that used gear will stretch their limited funds a lot further than new gear. How does that help the industry? The only benefit I can see lies in the possibility that whoever sells the used gear might buy a replacement. However, it is likely that the seller in question is like me and would just be delighted to empty the closet of an unused piece of audio stash.
When soldiers and sailors had the opportunity to buy Japanese gear dirt cheap during the Viet-Nam conflict overseas, they did so and brought them home. These items then began being imported in volume and, with the help of the British Invasion and drugs, a culture erupted. High end audio could be viewed as a natural consequence of that eruption. As we refined our systems, we invited ever more sophisticated and refined reproduction. In the 1980s, many entrepreneurial types found ways to involve themselves in this growth industry because they were dealing with retail margins at car prices. Money flowed and a prestige culture emerged with the impetus provided by a healthy economy and a collusive review/promotional sector.
All of this continued until where we are today. The economy has receded and the pricing of our dream equipment has escalated exponentially. Now, once again, it is becoming a hobby for only the rich and the DIY.
So maybe that is part of what keeps the young from enlisting. In our day, we held the dream of a $2000 pair of speakers as the carrot we would chase while we made do with our Time Windows. Today the counterpart of those $2000 speakers, costs $200,000. The carrot has moved too far - for most it is out of sight.
Ferrari mentioned three manufacturers who might provide exciting new options that would help to engage the interest of new audiophile -- Pass, Spectral and FM Acoustics. Of those three, only Pass could be said to be less than esoteric uber elite. And Pass costs a whoppin lot of moolah if you are just starting out. Imagine laying out what you have in your system right now.
Also, wouldn't you expect a newbie to be interested enough to read up online and get the rules of sense and judgement before making his/her first bid? Anyone who does that is apt to discover that used gear will stretch their limited funds a lot further than new gear. How does that help the industry? The only benefit I can see lies in the possibility that whoever sells the used gear might buy a replacement. However, it is likely that the seller in question is like me and would just be delighted to empty the closet of an unused piece of audio stash.