Eminent Technology ET-2 Tonearm Owners



Where are you? What mods have you done ?

I have been using these ET2's for over 9 years now.
I am still figuring them out and learning from them. They can be modified in so many ways. Bruce Thigpen laid down the GENIUS behind this tonearm over 20 years ago. Some of you have owned them for over 20 years !

Tell us your secrets.

New owners – what questions do you have ?

We may even be able to coax Bruce to post here. :^)

There are so many modifications that can be done.

Dressing of the wire with this arm is critical to get optimum sonics along with proper counterweight setup.

Let me start it off.

Please tell us what you have found to be the best wire for the ET-2 tonearm ? One that is pliable/doesn’t crink or curl. Whats the best way of dressing it so it doesn’t impact the arm. Through the spindle - Over the manifold - Below manifold ? What have you come up with ?
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If the record is perfectly level then I don't see how my method would take the spindle out of level with the record surface but would make sure the spindle was level with the record. If the record is level the stylus should drift in or out out if the spindle isn't level. If the spindle is parallel with the record surface but the platter and record surface isn't level I believe that this would cause the stylus to drift in or out depending whether the spindle was higher or lower than the edge of the platter.
Dover.

For the sake of brevity I left the word "vertical" of the tracking angle. Pretty sure that this adjustment is applicable to a linear arm.
My point was...if the spindle is NOT parallel with the platter, the VTA will change as the arm moves across the record.

Bigalt.

Agree 100% a level platter and a level spindle go hand in hand. Perhaps I misinterpreted your earlier post. I took it to read that you make this adjustment from time to time. Assuming that the plinth is not in some way distorting over time, I would expect this adjustment to be a set and forget one. Thereafter any shift in level of the whole TT system, say with seasonal movement of the floor/wall, would be corrected by re-levelling the whole TT.
If the record is perfectly level then I don't see how my method would take the spindle out of level with the record surface but would make sure the spindle was level with the record. If the record is level the stylus should drift in or out out if the spindle isn't level. If the spindle is parallel with the record surface but the platter and record surface isn't level I believe that this would cause the stylus to drift in or out depending whether the spindle was higher or lower than the edge of the platter.
Bigalt,

What you want to do is put a straight edge on top of your platter, parallel with the tonearm spindle. Then, adjust the tonearm so the spindle is perfectly parallel with the straight edge. Just use your eyes. You may have to play with the lighting on the straight edge (use a flashlight at different angles) until you can see both the top of the straight edge and top of the spindle. This will get the spindle much more parallel to the platter than any other method. Most levels, digital protractors, etc. are not accurate at all. Now, do not ever touch the adjustment screws on the post. Once the spindle is parallel with the platter it will never need to be touched. Now all you do is simply level the TT until tonearm does not drift in or out.

The problem with your method is that you do not know that your platter is perfectly level to begin with. Care to share how you are determing that?
Bigalt,

Another problem with your method is that, because the post adjustment has three screws, when you are "leveling" the tonearm as you do, you are also messing with how vertical the post is. It should be perpendicular with the TT platter when viewed from the front of the TT. These parameters need to be set up and locked in. It's not something that you should ever adjust, unless you feel that they might have went out of adjustment over time.