Eminent Technology ET-2 Tonearm Owners



Where are you? What mods have you done ?

I have been using these ET2's for over 9 years now.
I am still figuring them out and learning from them. They can be modified in so many ways. Bruce Thigpen laid down the GENIUS behind this tonearm over 20 years ago. Some of you have owned them for over 20 years !

Tell us your secrets.

New owners – what questions do you have ?

We may even be able to coax Bruce to post here. :^)

There are so many modifications that can be done.

Dressing of the wire with this arm is critical to get optimum sonics along with proper counterweight setup.

Let me start it off.

Please tell us what you have found to be the best wire for the ET-2 tonearm ? One that is pliable/doesn’t crink or curl. Whats the best way of dressing it so it doesn’t impact the arm. Through the spindle - Over the manifold - Below manifold ? What have you come up with ?
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Bigalt,

Another problem with your method is that, because the post adjustment has three screws, when you are "leveling" the tonearm as you do, you are also messing with how vertical the post is. It should be perpendicular with the TT platter when viewed from the front of the TT. These parameters need to be set up and locked in. It's not something that you should ever adjust, unless you feel that they might have went out of adjustment over time.
Ketchup.

I too use your method.
If you backlight the spindle, it is possible to get a very accurate indication of when the platter and spindle are parallel. This, since you can adjust the arm such that the light evenly breaks through the gap.

Cheers.
This is how I see it... Again, assuming everything is level, I prefer to use my method as it is taking into consideration playing lps in real time.

According to the correct way, as stated here and in the manual, I've done that countless times over the years. But there are other factors, wire loom and it's effect, warped/uneven records, damping methods.... having said this, there's really no way you can get perfect level given these unforeseen factors. This is why I choose my method that takes into consideration the arms movement under dynamic (playing an lp) conditions.
Ketchup makes perfect sense. (Although with the extreme adjustability this particular arm offers, you can adjust for a faulty set-up.) It has been my contention that if one uses this arm, (in order to get the maximum pleasure), you need to have your tt setup so you can visually see how the arm moves across the lp by looking at it from the left side facing the tt. (There is a whole lot to be said for the vision God gave us). A great check is to look at how parallel the spindle is with a lp while the arm is "half way" through it's travel when looking at it from the left-side-facing standpoint. At this vantage point, it's very easy to see if the spindle is correctly parallel to the lp surface.