Is there any bad sounding high-end gear--?


I was reading the thread here today about biased reviewers-
it got me thinking, out of the stuff which is reviewed in the publications which serve the high-end arena, is there really any bad sounding gear?----I am talking about from what I call the golden era of High-end, 1990---2000, stuff from the major players like ARC, CJ, Krell, MLevinson, Jadis---etc-----I use this time frame as this was the pre-Chinese era when most gear was from the US, we also saw stuff from Italy, France and Swiss made stuff.

When I have purchased something and not liked it, I always struck it up to a system mismatch----

If anyone can provide what they bought and really thought it was terrible, I'd be interested to know what it was.
128x128justlisten
human beings are not perfect. they make errors of all kinds. in a variety of endeavors both good and bad things are the result.

thus , it should not be surprising that an inferior product be produced,

of course it is useful to provide a definition of what high and low quality is.

otherwise , as camelboy suggests , taste will prevail.
Most experienced audiophiles wouldn't be so presumtious as to state, as has been in this thread, that several highly regarded products sound "horrible" without providing more detailed information before making such bold statements. Overpriced, poor value, overated IMO is a better choice of wording when making general comments, IMHO. Poor system matching, taste, musical preference, personal bias and other issues are usually at play when folks make such comments especially when I personally know some of the said products are considerably better than "horrible". What a useless adjective in this discussion.

Having said that I agree with the camp that there are numerous poor value to performance products. Also "bad sounding" is relative. I firmly believe this hobby is as much about sound as reproducing music accurately and how one likes their music reproduced is just a matter of personal preference which is precisely why there are so many different flavors and directions to follow.

IMHO the "golden age" for high end audio is today, not 20 or 30 years ago as suggested. There are many more options for folks today than ever. The "good ole days" always seem better in retrospect than they were in reality, more nostalgia for a period closer to our youth. However there are a few "classics" that will always be highly regarded. Today component parts are better, new composite materials for speaker cabinets are more numerous as are overall choices. The only area that probably isn't as good is the quality of vacuum tubes today compared to the "golden age" of RCA, Tung Sol, Mullard, Telefunken and the like. They surely were manufactured to a higher quality standard than today where their manufacture is limited and there is greater variance in electrical characteristics. At least that I can say with some certainty based on my experience.
"Just because it is billed as HIGH END does not mean it sounds that way."
But thats one HUGE problem, who defines what is "High End" and does "High End" even have a sound (ofcourse it does) but if 10 people have 10 different opinions who is right and if one of them says its not at all high end is he wrong or are the other 9 all wrong?