I'm not twisting anything. Who said, "all properly designed solid state amps operating within their operating parameters"? The article that YOU cited, compared(again) an OTL TUBE AMP, a Hi-End SS, and a $220.00 Jap receiver. The differences in presentation, between SET, OTL and Push/Pull tubed amps alone, are obvious enough. The differences between typical Class A and Class A/B Solid State amps are also easy enough to hear, given decent associated gear and recordings. I can tell the difference between Sylvania VT-231s and a TungSol 6SN7GTs, in the driver positions of my Cary monoblocks, simply by the width and depth of the resulting sound stage. Whether ANYONE ELSE can tell a SS amp, tube amp or a wire, from a Bose table radio, is COMPLETELY IRRELEVANT to me. Enjoy your mediocrity.
A true believer
I like to look at the pictures and descriptions of the various systems belonging to our fellow Audiogon members. Personally I admire the most humble system. But some times I see one that just leaves me shaking my head in amusement.
I was looking at the featured systems today and found one that consisted of three components that reproduced music. A cd player ($7700), a integrated amp. ($4000), a pair of speakers ($10,500). Total $22000. A very nice system. But, and I mean BUT, another $71,431 in cables, tweaks, stands. Things that sometimes in the tiniest increments help in the reproduction of music.
Just saying.
I was looking at the featured systems today and found one that consisted of three components that reproduced music. A cd player ($7700), a integrated amp. ($4000), a pair of speakers ($10,500). Total $22000. A very nice system. But, and I mean BUT, another $71,431 in cables, tweaks, stands. Things that sometimes in the tiniest increments help in the reproduction of music.
Just saying.
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- 107 posts total
- 107 posts total