What does it take to qualify as a reviewer?


Posted in this thread earlier;
http://forum.audiogon.com/cgi-bin/fr.pl?fcabl&1313300093&read
some participants said they are reviewers.

One said;

"I myself was once asked if I would be interested in reviewing for one of the publications mentioned above, by its editor. I wasn't, but also declined because I didn't feel that I was qualified: not as an audiophile, nor technically, nor as a writer."

Another said:

"let us consider what might "qualify" someone as a reviewer. Would it be an EE degree, years of experience in audio, experience as a dealer in audio, knowing many manufacturers, being wealthy enough to not be bought to give a good review to get the component at a good price, being articulate, hearing well in tests, etc.?"

And he goes on to make some other interesting remarks in the same post, in my opinion anyway.

Out of respect to the OP and not to further divert the thread from its' original theme, I began this thread.

So, what qualifications, experience, education, characteristics etc., do you believe one should possess and needs to be a reviewer?

It would be interesting to hear from everyone for I myself haven't really thought about it and can't offer an answer. Perhaps others ideas could help us form an opinion.

Best,

Dave
corazon
I agree with all the above particularly Photon46's criteria and would add the ability to accurately and consistently articulate and describe difference between components and sonic characteristics of components in a language that can be understood by all. The key thing is that the taste of the reviewer is not nearly as important as describing what he hears. I always felt the late JG Holt was the best of all reviewers I have read in that aspect. Of course he met all the other criteria as well, writing skills, technical understanding and certainly experience with a wide range of components over years of listening.
if you want to review for stereophile, you need to be the biggest bullshit artist that you can be, need to be able to always give a good review at the end no matter if you find flaws in it, and you need to justify the piece as being the best that you have heard in your system, even if your system has changed dramatically since you last reviewed something similar. Make sure you have a thesaurus handy to modify words that are simple to emphasize your review.
What does it take to qualify as a reviewer?

Since your question was asked in seriousness, I'll give a serious anwer rather than a "tongue in cheek" response.

In an ideal world to qualify as a reviewer one should:

1. Be a music lover
2. Have good hearing
3. Have years of experience hearing, owning, and using audio gear ranging from average consumer level to the high end
4. Be a competent writer
5. Possess some technical knowledge of audio equipment: how it is built, the circuitry, build quality, as well as the language, jargon, and lexion of audio
6. Know the industry inside and out
7. Have a committment to objectivity in a very subjective field
8. Have a sense of humor
9. Be an advocate for the consumer-audiophiles (I said this is the ideal world!)
to add to Foster's list

to attend live concerts on a regular basis would help

IMO of course...
I think Rbstehno got it with "need to be able to always give a good review at the end no matter if you find flaws in it." I mean, how many times have we finished a review with a few mentioned "limitations" of the component only to end at the last paragraph with some unequivocal recommendation that this is a "great deal," or an "I could live with it in my system," blah blah...? It seems disingenuous on the part of the reviewer. But afterall, reviews should be read for entertainment value. In the end the only, and often impracticle way to assess, is via up close and personal listening...in your own system.