Designer Hall of Fame


There are many great designers out there, and especially in the lore from the golden age, but I'm not to familiar with them. I thought it might be interesting to discuss some of the great designers for engineering skill and knowledge, business integrity, and ultimatley quality of their products. My short list a "hall of fame" if you will of designers working today are:

Nelson Pass, Pass Labs
Charles Hansen, Ayre
Roger Modjeski, Music Reference
Ken Stevens, Convergent Audio Technolgy (CAT)
Kevin Hayes, VAC

and how could I leave Jeff Rowland off? Well it is a short list. Who would you nominate?
pubul57
Has anyone mentioned Roy Allison yet? I am a major fanboy of his. His speakers are amazing. He really pushed the envelope by trying different things IMO. I wish the new Allison had managed thru this Deprecession.
At this moment I think I would like to mention:

David Berning
James Bongiorno
Nelson Pass
The guy from JuicyMusic (designed the Paragon preamps also, and others)..I forget his name now.
I think John Atkinson was mentioned as a joke. AFIK, he was never a designer of anything in audio that is notable...just a reviewer with technical knowledge. As for Audiozen's claims about reviewing, that's another whole contested topic in highend audio for discussion.
I have to give another shout out Bob Carver. He is not known for just one particular design. He has designed innovative SS and tube electronics and speakers. As with many innovative designers, he stirred up a lot of controversy in high end...for the good IMO. The marketing of his products is somewhat questionable (eg, Amazing Loudspeaker and Sonic Holography), but who in audio hasn't been guilty of gimmicky names. Most of his designs were for the masses and thus affordable and not given much credit by audiophiles unfortunately. I would have given a limb to listen to his monster Silver Seven Tube amplifier.
I realize Saul Marantz and Jon Dahlquist have already been mentioned, but I'd like to share a little anecdote regarding them. When I was a salesman @ Midwest Hi-Fi in Mad City (MSN, WI) on State St. they came to visit. We were not a 'full-fledged" high-end store, but a college store that in our day our only Best Buy/internet threat was the students, a large portion of our base, would go to the mail-order catalogues of the time and order there after wasting hours of our time demonstrating audio for them. We called them Knobs, cuz all they wanted to do was play with the knobs on the equip and then buy off the catalogues.
I was very young then, under 25, when they came to see us. Saul was playing Front Man for Superscope, a division of Sony that he had sold his interest in Marantz to, that line we carried (mostly crap). I think we were hoping to get the Dahlquist line of speakers, not so much for our market, but because I really lusted over owning a pair and I sure wanted the employee discount that most manufacturers offered to sales staff - 50% off! Well, we never got Dahlquist, of course Saul had no influence over quality control, but that's not what this is about. I was lucky enough to go to dinner with the pair, my boss was "too good" to come along, as I recall - leaving that kind of "dirty work" to us. What a fool! I think the real reason he didn't come is he owed Superscope too much money and didn't want to show his face. But a couple other salesman accompanied us.
That evening was, of course, going to very memorable on those facts alone, but what really struck me about the pair was twofold. They got along so very well, obviously Saul had relished working on the DQ-10's and Jon was very appreciative. But what really got me was how incredibly humble the pair were. No pretention at all! In my mind at the time, Saul was the most noticeable guy in Hi-Fi at the time for although the argument could be made that McIntosh had always held an edge over his equip (not all!) his name was on that paragon of audio quality from our American past and I had expected a guy a bit too big for his britches, not at all. They both looked like refugees from the eastern front during WWII, not dressed up at all! What a delight, what gentleman and oh so patient to listen to our stupid questions and answered them as true gentlemen.
The year was 1975, and American protectionism was in full swing, more so even than today. We all bought Jap products because, generally speaking, they made the lion's share of the best contemporary affordable equip on the market and a great deal of it was the best in category. Yet we all longed for owning American equip that we could honestly state was the best of its class. Not so Superscope, but for me and thousands of others across the country, there was no doubt that American speakers were the best and Dahlquist DQ-10's at 400 a side, could not be competed with! Well, I never got my discount and although at two bucks an hour, it nearly killed me to lay out $800. I still have a relish my DQ-10's. I'll say that Regnar, the present owner of rights to the Dahlquist line of speakers, but not the name, have some great up-grades for them. I wish I could recommend their quality in detail, but I can't (they arrived home w/ parts of the X-over not secured, the fuses don't seat snuggly in the fuse holders, so I keep losing L, R or both speakers (gotta fix that one), they did a poor job prepping and re-staining the rails on the edges of my speakers, but all in all - must say if you have a year and a half to be w/o your speakers (YEAH, IT TOOK THAT LONG!) the upgrade is well worth it for only $2,800 (ONLY?). Now they’re $3,600 speakers, but some of that work was due to age and much would have come in the original 800 if it were available back then.
So, let's hear it for Saul and Jon! Thanks for your indulgence. Saul had to have been about 110 then, so I'm sure he's passed, RIP. I don't know what Jon may be up to now, anyone?