I'll chime in eventually, I just have to rewrite my notes. One small correction, the DeVore speakers were the Orangutans and not the Gibbons. Did you like one over the other? I personally preferred the 96s. Excellent well defined and intimate midrange for jazz, slight lack of pronouncement in the lows and tended to be somewhat bright for the symphonic recording that someone had brought in...which is a stretch for these speakers driven by 8 watts of power IMO. I visited this room all three days, so I admit that I did like the speakers and they're on my list. John is also a very interesting guy with many other intriguing and divergent pursuits. I could easily spend hours engaged in conversation with him.
If you like efficient speakers then you must of died when you heard the Volti Vittora with the Border Patrol S10. Did you hear the Volti with the NF5 Feastrex driver or either of the two speakers in the Feastrex room? Voices are just heavenly.
As for price, nothing compared to Steve Nober's Pranafidelity fifty 90 IMO. If you had a chance to sit in the sweet spot you may agree with my assertion.
More on my best of show picks later.
If you like efficient speakers then you must of died when you heard the Volti Vittora with the Border Patrol S10. Did you hear the Volti with the NF5 Feastrex driver or either of the two speakers in the Feastrex room? Voices are just heavenly.
As for price, nothing compared to Steve Nober's Pranafidelity fifty 90 IMO. If you had a chance to sit in the sweet spot you may agree with my assertion.
More on my best of show picks later.