Hey Mike, Tom again :)
Well, you are getting lots of adivice, it's even confusing me and I'm not looking to change anything! Sean does point out something very true, Threshold Amps and Preamps are VERY revealing, as are the B&W's. So in my quest for the grail, I have always used that to my advantage; take two known factors to evaluate the third. And I have done it many times, to either improve the sound, or rule it out of the running. Sean also says that earlier Threshold amps, and here I have to bid nieve, were very load sensitive. My understanding of the 350E is that it is very much like my own S300 updated by Threshold to an E in I think 1994. Even that was a challenge as the first time Threshold sent it back, the soundstage lacked depth from what I was used to and Chris English was nice enough to put it in his system and tweak it up for me. It turned out that even though the unit was designed to run at 110 degrees, the depth opened up at 114 degrees amp temperature measured at the heatsink mounting screws. Nelson, Chris and Jon at Threshold have been nothing less than SUPERB with me. And yes, I may be a Threshold diehard, as I am with B&W, but when I find something that works, I'll stick with it. I've seen many names come and go, in fact my tonearm is one of them, "The Arm". I don't think I've ever even read a review about it anywhere but I'll never change it unless it breaks, and then I'll try another name I trust on the person that broke it; Colt Python. Good luck, I'm out of answers... Tom
Well, you are getting lots of adivice, it's even confusing me and I'm not looking to change anything! Sean does point out something very true, Threshold Amps and Preamps are VERY revealing, as are the B&W's. So in my quest for the grail, I have always used that to my advantage; take two known factors to evaluate the third. And I have done it many times, to either improve the sound, or rule it out of the running. Sean also says that earlier Threshold amps, and here I have to bid nieve, were very load sensitive. My understanding of the 350E is that it is very much like my own S300 updated by Threshold to an E in I think 1994. Even that was a challenge as the first time Threshold sent it back, the soundstage lacked depth from what I was used to and Chris English was nice enough to put it in his system and tweak it up for me. It turned out that even though the unit was designed to run at 110 degrees, the depth opened up at 114 degrees amp temperature measured at the heatsink mounting screws. Nelson, Chris and Jon at Threshold have been nothing less than SUPERB with me. And yes, I may be a Threshold diehard, as I am with B&W, but when I find something that works, I'll stick with it. I've seen many names come and go, in fact my tonearm is one of them, "The Arm". I don't think I've ever even read a review about it anywhere but I'll never change it unless it breaks, and then I'll try another name I trust on the person that broke it; Colt Python. Good luck, I'm out of answers... Tom