I suppose I could Irish65.
I am going to be ordering some more Silver. I have only tried the .5 have you tried them all? Is there a big difference?
I am waiting on another cap from Duelund for the amp.
I can see why some like the mylar sound though as well as that is what was in the vintage amp. It is somewhat sharper than Duelund or Jensen which could be said to be creamier. I love that Duelund super natural sound but it is relaxed and the mylar caps that I have heard sharper in the high freq. I found this sharpness at least in the vintage to bring forward high freq sounds which sounded like more detail but I was sure the cymbals were not supposed to be loader than Norah Jones? I may try the Ampohm as they do get good ratings.
Sherod have you compared?
Tony Gee
"The polyester-in-oil is very rich and extremely good in retrieving ambient information such as room or hall acoustics".
Some have commented on the cost of all this which is substantial. On a complete sidenote. I am thinking of selling off the Lp12 and the VPI record cleaning machine at some point. I only got into vinyl as digital drove me crazy on SS. Since getting tubes and then Duelund parts in the crossover and Jensen and Duelund caps in the amp I can not hear ANY digital harshness.
The only downside with all this Duelund is it has really, really revealed vinyl wear. 80's vinyl is just junk for the most part wear is just awful. The good vinyl still sounds very good but the collection is shrinking fast. Selling off at least another 150+ lp's that I went through today. I was kind of sad and know why people made copies and did not play their vinyl at one time. The older '60's vinyl is much better.
I may go with just one digital front end as I do not feel the need for vinyl anymore.
So selling the LP12 in the future (which was about loaded) and the VPI will about cover the cost of Duelund parts. I am listening to 80-90% digital now and used to be 90% vinyl.