I think there is another form, often used by reviewers and, hence, re-used by audiophiles, of critical listening meaning that you're looking for strengths and flaws, and trying to determine how to maximize the former and minimize the latter. This is more listening to gear than listening to music and, as you suggest, is aking to trying to find nits on a bald head. It undoubtedly detracts from the experience of listening to music because it changes the whole scope and focus. Many reviewers, in an attempt to show their excitement over a particular component while evaluating it through critical listening, admit that they just "got lost in the music" - ie, they started "just listening". Whoops!
What is "critical listening"?
Is critical listening the art of finding nits on a bald head or a is it a hard fought for level of listening acumen and competence that prevents one from buying second rate equipment? If there is such a thing, does it enhance the listening experience or detract from it?
At what point is it safe or correct to self-anoint and wear the mantle of "critical listener"?
At what point is it safe or correct to self-anoint and wear the mantle of "critical listener"?
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- 30 posts total
- 30 posts total