Asa, your last post took the words right out of my fingers.
For your information, I only mentioned "other sources" because I am humble enough to know my word is as only good as the distance between my mouth and my ears when it comes to forum readers. It wasn't the sound of the Pass I made my pitch to outside sources for anyway, it was the fact it is technically the cleanest of all ss amps. Hearing, as you and I know, is subjective, as you and I demonstrate ad nauseum.
We will always disagree on the subject of noise floor, otherwise known as component distortion. Everything I want to hear is encoded in the medium. I don't want my circuitry second guessing my preferences. I'll do that at the record store.
After I exchanged my tube setup for the Pass, one long time friend exclaimed how much more extended my system sounded. I have off the chart hearing, and I notice the difference between the two is substantial. The music is more alive, to me.
I'm afraid I'll have to agree with Greg as well over the need to spend major bucks for a musical ss amp. I will trump Greg and announce the same goes for tube amps. I didn't get the sound right in my system until I had shelled out a hundred bucks for retubing my cd player. It costs exponentially greater for pre amps and amps. Just take a look at a Jadis. It is true that a budding listener will do much better on a limited budget buying a new sweet Jolida or older CJ and SF.
Kevziek, not so. I don't think Asa has given his Pass a fair shake yet. He doesn't believe me, but I know for a fact one can have the best of both worlds by initiating your best sounding tube signal through and amplified by a silky clean ss amp. Of course if you want the same noise floor/air imparted on the signal before speakers that Asa values then just ignore my advice.
I feel I need to remind everyone that my Holy Grail I am striving for was the product of ss mono blocks doing the work for what I consider the best speaker ever made, the Apogee Scintilla. In the same listening room I heard a fifty grand tube Jadis powering a plethora of 5k dynamic driver units and that never produced any magic for me.
For your information, I only mentioned "other sources" because I am humble enough to know my word is as only good as the distance between my mouth and my ears when it comes to forum readers. It wasn't the sound of the Pass I made my pitch to outside sources for anyway, it was the fact it is technically the cleanest of all ss amps. Hearing, as you and I know, is subjective, as you and I demonstrate ad nauseum.
We will always disagree on the subject of noise floor, otherwise known as component distortion. Everything I want to hear is encoded in the medium. I don't want my circuitry second guessing my preferences. I'll do that at the record store.
After I exchanged my tube setup for the Pass, one long time friend exclaimed how much more extended my system sounded. I have off the chart hearing, and I notice the difference between the two is substantial. The music is more alive, to me.
I'm afraid I'll have to agree with Greg as well over the need to spend major bucks for a musical ss amp. I will trump Greg and announce the same goes for tube amps. I didn't get the sound right in my system until I had shelled out a hundred bucks for retubing my cd player. It costs exponentially greater for pre amps and amps. Just take a look at a Jadis. It is true that a budding listener will do much better on a limited budget buying a new sweet Jolida or older CJ and SF.
Kevziek, not so. I don't think Asa has given his Pass a fair shake yet. He doesn't believe me, but I know for a fact one can have the best of both worlds by initiating your best sounding tube signal through and amplified by a silky clean ss amp. Of course if you want the same noise floor/air imparted on the signal before speakers that Asa values then just ignore my advice.
I feel I need to remind everyone that my Holy Grail I am striving for was the product of ss mono blocks doing the work for what I consider the best speaker ever made, the Apogee Scintilla. In the same listening room I heard a fifty grand tube Jadis powering a plethora of 5k dynamic driver units and that never produced any magic for me.