Tubes Do It -- Transistors Don't.


I never thought transistor amps could hold a candle to tube amps. They just never seem to get the "wholeness of the sound of an instrument" quite right. SS doesn't allow an instrument (brass, especially) to "bloom" out in the air, forming a real body of an instrument. Rather, it sounds like a facsimile; a somewhat truncated, stripped version of the real thing. Kind of like taking 3D down to 2-1/2D.

I also hear differences in the actual space the instruments are playing in. With tubes, the space appears continuous, with each instrument occupying a believable part in that space. With SS, the space seems segmented, darker, and less continuous, with instruments somewhat disconnected from each other, almost as if they were panned in with a mixer. I won't claim this to be an accurate description, but I find it hard to describe these phenomena.

There is also the issue of interest -- SS doesn't excite me or maintain my interest. It sounds boring. Something is missing.

Yet, a tube friend of mine recently heard a Pass X-350 amp and thought it sounded great, and better in many ways than his Mac MC-2000 on his Nautilus 800 Signatures. I was shocked to hear this from him. I wasn't present for this comparison, and the Pass is now back at the dealer.

Tubes vs. SS is an endless debate, as has been seen in these forums. I haven't had any of the top solid state choices in my system, so I can't say how they fare compared to tubes. The best SS amp I had was a McCormack DNA-1 Rev. A, but it still didn't sound like my tube amps, VT-100 Mk II & Cary V-12.

Have any of you have tried SS amps that provided these qualities I describe in tubes? Or, did you also find that you couldn't get these qualities from a SS amp?
kevziek
No Jetter!? Loosing here!!! I'd thrown out Ten Bulls, only get back a few trolls, and a lion! And now, my lady told me that I cannot take trolls, nor lion. Have a nice weekend everyone. :-)

Regards
On 6chac: this is what happens when someone reads too many books on "Zen". Actually, glad you are having fun, just clean up after you get out of the sandbox and go home for supper.

On Muralman: what, if I note the materialistic bias in your statements, I'm being derisive? Jeez, a guy who wants "technically clean" sound recoiling against someone noting his materialistic bias, imagine that...

As far as the Scintilla being the end-all in speakers, I think its safe to say that you need to get out more. But, again, I'm glad you had an experience that showed you something more (which, empirically-speaking, may raise the possibility that there is more for you to learn...)

"Spirituality is a pet vein", like a tangential hobby. Hmm, interestingly view.

Two guys who know it all after hearing Scintillas, or reading some Zen. What more can I say, you've perfected a perfect way to immunize your ideas; conclusions without any reasons other than, well, no reasons. You're right, Muralman, the fact that your daughter and son play instruments thoroughly deconstructs my observations. So, now that I have been so thoroughly deconstructed by a duo of zen/sound enlightened beings, I will say, have a nice wkend.

Oh, that's not sarcasm you are hearing; its broken bamboo across your back.
Asa tell me. If your ear/mind were to catch the sound of a player and piano in a nearby room, and searching, you found the two, stopped awhile for a listen, would you spend the remainder of your life searching for a more real musical experience? Seems like you would. I stumbled on just that aural experience, only the ending was different. I knew then very well what a well played piano sounded like. And after countless concerts, I have found no way to improve on my enjoyment of hands on ivory. That I was fully snookered, for a prolonged time, has left me nothing more to do, than to recapture that experience. I'm a lucky guy. So far, my journey has taken me very close. It's comforting to know what I am after.

If there is a better speaker out there than the Apogee, none of the deep pockets Apogee owners I know around the world have found any. It isn't for not looking; there is nothing in audio more important to us than to find a worthy contender to replace our aging Apogees. Obviously you have never heard one in a great setup, or you wouldn't be so cavalier about Apogees. tch tch Mr. World Wise.

As for spirituality, I find the invocation of the material versus spiritual conundrum weaved into a light hearted audio discussion to be trivializing to the latter and inconsequential to the former.

It must be painful for you, a man of professed authority, to get a spanking. That would explain your sand box antics of striking out. 6chac has me thinking more than you'll ever. Certainly he is wiser, and a lot funnier.
6chac, thanks, don't think I deserve your kind words, there are far better descriptions around here for what we experience, when listening to music.
Unsound, yes of course the child wasn't foolish, all I was trying to do, was to poke some fun at all of us here, me included, about the musiclover falling prey to audiophiles, like David fallen into the lion's den.
Oddly, or rather not oddly enough, no one took this up. Probably too busy bickering away. Possibly Muralman loves his Apogees more than music, Asa perhaps more, what his astute and nimble mind shapes and forms, by reflecting the experience, which music gives him as a catalyst. I love his shaping and forming, I learn from them, more often than not I agree with them, but in a sense they would remain flatus vocis for me until I would have grasped the nucleus of his experience, beyond his thinking and his arguing. Only then, I would be able to say, yes Asa loves or Muralman loves music, beyond all gear, thoughts, beliefs and other narcissisms, which so easily attach themselves to a hobby passionately pursued.
As I tried to state very early in this thread, the entire argument seems a bit outdated. Both formats have advanced and have moved closer to each other. The benchmark here I feel, should be musicality. Musicality is an elusive term, because (ASA is right here, to my mind) musicality is a quality of psyche. (I do not like the term "mind" here, because of its proximity to thinking or consciousness. )Like the sense for rhythm it seems engrained in our essence, in our dna if you will, it is archetypal. The experience of it jumps at us, be it from an interpretation or a composition, which we then call musical. In actual fact, what we hear is not musical per se, but acts as a catalyst on our psyche and moves it, before our thinking about it sets in. Hence, to follow this line of reasoning, a music lover has to be an arch-narcissist, an addict, longing for his next shot of music, tickling his endorphines? Not necessarily, because musicality always hits us by surprise. It is no category of our thinking- conscious mind. It hits us in the same way as would the sudden sight of a strikingly beautiful women striding on the other side of the road, or the unfolding of a rolling countryside, as we approach the summit of a pass-road.
Some amps can surprise us in that way, fairly consistently, with the right kind of music. Many simply cannot, ever. Amongst those, which I have experienced, are tubes as well as SS. I know SS amps which do this to me and I know tube amps which do not. For me the entire argument has become pretty much moot, especially since I have learnt to take and mingle the best of both worlds, in order to have the music get at me at that psychic level where it belongs and does me best. Cheers
Thank you Detlof for bringing some much needed compromise as well as wisdom to this debate. The overriding factor that I have found in that ever elusive term "musicality" has less to do with tube or ss devices so much as how components work together as a system in a given room.

Muralman's experience with Apogees mirror two separate experiences I had with both the Stages and Scintillas. Although I heard several of the other Apogees models in different systems, there are only two experiences that stand out and are included in those "musical moments" that one never forgets. What was very interesting to me and still baffles me to this day is how the Stage system synergized with a lowly Adcom amp. I didn't try to dissect why it sounded the way it did, like real music, but was just amazed that it did. Why? The room, the recording the set-up, all those things certainly contributed to the magic. I figured out a long while back, after that and a few similar experiences that sometimes a system comes together by luck, sometimes through skill but more often than not, through trial and error. With me the latter since I really don't have the technical skill to get it right the first time.

Things aren't black and white, music isn't tubes vs. ss. A great system is the sum of all its components, not least of all the room it is set-up in. It just is and when one experiences reproduced music as we hear it live, like Muralman did many years ago, nothing else matters other than the means and methods of recreating that magic in the home environment. We need to respect and encourage each other in our individual quest to attain that, this is what it's all about.