Types of passives should at least be mentioned. There's a transformer type I know zilch about, and three resistive types: (1) potentiometers, (2) series stepped attenuators, and (3) ladder stepped attenuators. Almost everyone would agree that (3) is much superior to (2): I've built both with identical resistors and comparable rotary switches, and the difference is easily heard. Some very costly pots may be competitive with (3), but most are clearly not, IMHO. Whether passive or active is better is an unending dispute, but everyone would agree that it depends heavily on the system, in several ways, and that passives are trickier to deal with. In my opinion, they're well worth it, but others will disagree. It's a much-discussed topic in this Forum: maybe you could look up those discussions.
Passive Preamp - What makes it work?
I want to try a passive preamp, such as Creek's OBH 12, as an inexpensive pre to replace my current Denon AVR1700. I've read a bunch on here that output levels from the CD and input impedance of the amp are crucial factors. What should I be looking for to see if this is a good idea for my system? Is the goal to make the impedances match, or should one be higher than the other? Also, are there any passive pre's with a home theater passthru?
My system:
Joseph Audio RM22si signatures (86 db sensitivity)
McIntosh MC-2105 amp (input impedance 200k)
Music Hall CD25
Thanks
My system:
Joseph Audio RM22si signatures (86 db sensitivity)
McIntosh MC-2105 amp (input impedance 200k)
Music Hall CD25
Thanks
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- 7 posts total
- 7 posts total