How can an active preamp possibly help?

Can anyone explain technically why people report any benefits to using an active pre, given my account above?

If the signal is already too loud and needs to be attenuated, how can an active pre possibly add soundstage?

Because many passive pre's cause an impedance mismatch with the output of the CD player, and the input of the amplifier. This causes frequency rolloff problems, and increased distortion. With an active preamp, the inputs and outputs have impedance characteristics that better match the source output impedance and amplifier input impedance, and therefore could provide better sound than going direct, thru a resistive passive pre, even though there is more stuff in the signal path with the active.

However, careful matching of the units, and careful selection of the lengths and type of cables, can mitigate this problem, but may not solve it altogether. The problem can be almost totally overcome by using transformer volume controls/passive pre, that doesn't use resistor volume controls. This would provide the advantages you allude to, and still have a good impedance match on both ends.

So, to fully answer your question, a correctly applied transformer-based passive pre, could give shorter signal path than an active pre, and sufficient gain pass through, while still providing good impedance matches, and likely would provide more transparent sound than an active pre. But an active pre, will more than likely give better sound than a resistive-based passive pre, that is not absolutely perfectly applied, including cable matching. This is primarily due to impedance matching.

Twl, Your post is an important reminder that it is possible to oversimplify with rules of thumb. The "short signal path is best" argument has been made in many posts without considering the signal in context. Many here have sold their preamps only to reintroduce them soon thereafter.

Exactly, a poor impedance matching will cause distortion. Remember: impedance is a function of frequency, therefore a good matching across the audo spectrum is important. Be sure you know what you are doing when go passive. One or two resistors do not necessarily mean "shorter path" than a few active transistors. If poor matched, it can be a "distorted path".

It is like to drive a low efficiency speakers with set amp, a wrong combo still makes bad sound.

If the output of a CD player ( or any other line level device ) can EASILY drive an amp to clipping and beyond with normal signal levels, it should be fine to use in "direct drive" mode. As Twl points out though, you may have to pay attention to line lengths and impedances to obtain optimum results.

Other than that, some analogue outputs on CD players, etc... with built in potentiometers are of low quality. Obviously, if you spend the money on a more expensive unit, "chances are" that they will have used ( hopefully ) good quality components.

Just keep in mind that some CD players do NOT output as much voltage as they are rated for. On the same hand, some power amps require more voltage to attain full power than other amps. Mating a "weak" CD player with an insensitive power amp will typically result in the loss of dynamics / flat sound that many here have commented on. One can somewhat "make" this type of situation occur due to impedance mismatches between the CD output and amplifier input. In order to get around this, a CD player or DAC should be able to deliver at least 3 - 4 volts of output without putting up a fuss. If you can do this, you should have plenty of gain to compensate for even those "quietly recorded" CD's and slight impedance mismatches. In such a situation, you will still probably even be able to overcome major impedance mismatches but sonics ( tonal balance and transient response ) may suffer. Sean
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