The new Mcintosh MC 402

The 402 has the new fiberoptics as does the new C46 preamp (not out yet). I've seen it live, but did not listen to it. The meters are a nice, rich blue. The meters on the MA6900 look anemic in comparison. I gather all new models will feature fiberoptics. I've asked and existing models can't be retrofitted.

BTW, I doubt there is much, if any, sonic improvement over the 402. But again, I have not compared them. If you are serious about upgrading, though, check with your dealer because some Mcintosh dealers allow full value when trading in. That's one benefit of having such high resale values. But this deal may only apply to the same component, ie. an amp for an amp.

Following are excerpts from the press release McIntosh announced the release of the MC402 with. The MC402 is replacing the MC352. As far as I know, all other power amps are going to be replaced with the same new design.

Binghamton, NY December 6, 2002-McIntosh Laboratory, a world leader in home entertainment systems for over 52 years, introduces the MC402 Power Amplifier, with a new 3D glass front panel design.

Producing a minimum 400 watts per channel in stereo, 800 watts in mono, the MC402 delivers power that is fully balanced from input to speaker output. The extraordinary quad-differential design of the MC402 actually consists of four complete amplifier circuits. Each channel contains two amplifier circuits, each the mirror image of the other, whose outputs are combined in the unique McIntosh
Output AutoformerR resulting in totally balanced operation from input to speaker output and the cancellation of virtually all noise and distortion.
...
The MC402 is shipping now at a manufacturer's suggested retail price of $5,000.

Getting back to the unequal meters bit, I have for several years noticed that on my tape deck (yes, I still have one ;) the left channel meter is a little higher than the right 85% of the time. On the Mc, the left was higher 85% of the time too. I asked a buddy in the recording industry and he said that he was told the left channel is recorded higher than the right as part of the stereophonic effect. Don't know if this is true but in my experience, that sounds like a decent enough reason for so many recordings to be made that way. I am glad I have balance control! Arthur

Abball,
I noticed this effect with my McIntosh amp as well. But what is the sense, in a stereophonic recording, to record the left side stronger? Did your friend tell you that?